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Writing poetry after Auschwitz is barbaric.

Theodor Adorno

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Theodor Adorno
Writing
Auschwitz
Barbaric
Poetry

More quotes by Theodor Adorno

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In his state of complete powerlessness the individual perceives the time he has left to live as a brief reprieve.
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The jargon of authenticity ... is a trademark of societalized chosenness, ... sub-language as superior language.
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The dialectic cannot stop short before the conceptsof health and sickness, nor indeed before their siblings reason and unreason.
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Knowledge, which is power, knows no limits, either in its enslavement of creation or in its deference to worldly masters.
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Anti-Semitism is the rumour about the Jews.
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Horror is beyond the reach of psychology.
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Fear and destructiveness are the major emotional sources of fascism, eros belongs mainly to democracy.
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In the age of the individual's liquidation, the question of individuality must be raised anew.
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It is one of the basic tenets of fascist leadership to keep primary libidinal energy on an unconscious level so as to divert its manifestations in a way suitable to political ends.
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Bourgeois society is ruled by equivalence. It makes the dissimilar comparable by reducing it to abstract quantities. To the enlightenment, that which does not reduce to numbers, and ultimately to the one, becomes illusion.
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If time is money, it seems moral to save time, above all one's own, and such parsimony is excused by consideration for others. One is straight-forward.
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The blessing that the market does not ask about birth is paid for in the exchange society by the fact that the possibilities conferred by birth are molded to fit the production of goods that can be bought on the market.
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Only a humanity to whom death has become as indifferent as its members, that has itself died, can inflict it administratively on innumerable people.
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Tact is the discrimination of differences. It consists in conscious deviations.
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Philosophy ... must not bargain away anything of the emphatic concept of truth.
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All the world's not a stage.
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Vague expression permits the hearer to imagine whatever suits him and what he already thinks in any case.
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A successful work of art is not one which resolves objective contradictions in a spurious harmony, but one which expresses the idea of harmony negatively by embodying the contradictions, pure and uncompromised, in its innermost structure.
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There is no true life within a false life.
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Philosophy that satisfies its own intention, and does not childishly skip behind its own history and the real one, has its lifeblood in the resistance against the common practices of today and what they serve, against the justification of what happens to be the case.
Theodor Adorno