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The recent past always presents itself as if destroyed by catastrophes.

Theodor Adorno

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Theodor Adorno
Past
Always
Catastrophes
Presents
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Recent
Destroyed

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Dialectic thought is an attempt to break through the coercion of logic by its own means.
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There is no love that is not an echo.
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Proletarian language is dictated by hunger. The poor chew words to fill their bellies.
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As a constellation, theoretical thought circles the concept it would like to unseal, hoping that it may fly open like the lock of a well-guarded safe-deposit box: in response, not to a single key or a single number, but to a combination of numbers
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If across the Atlantic the ideology was pride, here it is delivering the goods.
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Tenderness between people is nothing other than awareness of the possibility of relations without purpose.
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The new human type cannot be properly understood without awareness of what he is continuously exposed to from the world of things about him, even in his most secret innervations.
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On their way toward modern science human beings have discarded meaning. The concept is replaced by the formula, the cause by rules and probability.
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In psycho-analysis nothing is true except the exaggerations.
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Anti-Semitism is the rumour about the Jews.
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The bourgeois ... is tolerant. His love for people as they are stems from his hatred of what they might be.
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Every work of art is an uncommitted crime.
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A pencil and rubber are of more use to thought than a battalion of assistants. To happiness the same applies as to truth: one does not have it, but is in it.
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Horror is beyond the reach of psychology.
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And how comfortless is the thought that the sickness of the normal does not necessarily imply as its opposite the health of the sick, but that the latter usually only present, in a different way, the same disastrous pattern.
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They [the critics] deal with Schoenberg's early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
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What can oppose the decline of the west is not a resurrected culture but the utopia that is silently contained in the image of its decline.
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Jazz is the false liquidation of art - instead of utopia becoming reality it disappears from the picture.
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Truth is inseperable from the illusory belief that from the figures of the unreal one day, in spite of all, real deliverance will come.
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The capacity for fear and for happiness are the same, the unrestricted openness to experience amounting to self-abandonment in which the vanquished rediscovers himself.
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