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Anti-Semitism is the rumour about the Jews.
Theodor Adorno
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Theodor Adorno
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More quotes by Theodor Adorno
Happiness is obsolete: uneconomic.
Theodor Adorno
Technology is making gestures precise and brutal, and with them men.
Theodor Adorno
The recent past always presents itself as if destroyed by catastrophes.
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The splinter in your eye is the best magnifying-glass available.
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One must have tradition in oneself, to hate it properly.
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Once the last trace of emotion has been eradicated, nothing remains of thought but absolute tautology.
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All the world's not a stage.
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Fear and destructiveness are the major emotional sources of fascism, eros belongs mainly to democracy.
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The human is indissolubly linked with imitation: a human being only becomes human at all by imitating other human beings.
Theodor Adorno
Auschwitz begins wherever someone looks at a slaughterhouse and thinks: they’re only animals.
Theodor Adorno
Every work of art is an uncommitted crime.
Theodor Adorno
Because thought has by now been perverted into the solving of assigned problems, even what is not assigned is processed like a problem.
Theodor Adorno
Suffering has as much right to be expressed as a martyr has to cry out. So it may have been false to say that writing poetry after Auschwitz is impossible.
Theodor Adorno
The capacity for fear and for happiness are the same, the unrestricted openness to experience amounting to self-abandonment in which the vanquished rediscovers himself.
Theodor Adorno
All satire is blind to the forces liberated by decay. Which is why total decay has absorbed the forces of satire.
Theodor Adorno
The jargon of authenticity ... is a trademark of societalized chosenness, ... sub-language as superior language.
Theodor Adorno
And how comfortless is the thought that the sickness of the normal does not necessarily imply as its opposite the health of the sick, but that the latter usually only present, in a different way, the same disastrous pattern.
Theodor Adorno
The gods look in pleasure on penitent sinners.
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Love is the ability to discover similarities in the dis-similar. The audience has a right not to be fooled - even if it insists on being fooled.
Theodor Adorno
In the end, the writer is not even allowed to live in his writing.
Theodor Adorno