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Everything that has ever been called folk art has always reflected domination.

Theodor Adorno

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Theodor Adorno
Always
Reflected
Domination
Folk
Folks
Called
Art
Ever
Everything
Uncommitted

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Talent is perhaps nothing other than successfully sublimated rage.
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Philosophy ... must not bargain away anything of the emphatic concept of truth.
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Vague expression permits the hearer to imagine whatever suits him and what he already thinks in any case.
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The usual reproach against the essay, that it is fragmentary and random, itself assumes the givenness of totality and suggests that man is in control of this totality. The desire of the essay, though, is not to filter the eternal out of the transitory it wants, rather, to make the transitory eternal.
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It is one of the basic tenets of fascist leadership to keep primary libidinal energy on an unconscious level so as to divert its manifestations in a way suitable to political ends.
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It is Proust's courtesy to spare the reader the embarrassment of believing himself cleverer than the author.
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Once the last trace of emotion has been eradicated, nothing remains of thought but absolute tautology.
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In his state of complete powerlessness the individual perceives the time he has left to live as a brief reprieve.
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Proletarian language is dictated by hunger. The poor chew words to fill their bellies.
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In the end, the writer is not even allowed to live in his writing.
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Every work of art is an uncommitted crime.
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