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Everything that has ever been called folk art has always reflected domination.

Theodor Adorno

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Theodor Adorno
Domination
Folk
Folks
Called
Art
Ever
Everything
Uncommitted
Always
Reflected

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The gods look in pleasure on penitent sinners.
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Tact is the discrimination of differences. It consists in conscious deviations.
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All satire is blind to the forces liberated by decay. Which is why total decay has absorbed the forces of satire.
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In Anglo-Saxon countries the prostitutes look as if they purveyed, along with sin, the attendant pains of hell.
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If time is money, it seems moral to save time, above all one's own, and such parsimony is excused by consideration for others. One is straight-forward.
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In the age of the individual's liquidation, the question of individuality must be raised anew.
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A successful work of art is not one which resolves objective contradictions in a spurious harmony, but one which expresses the idea of harmony negatively by embodying the contradictions, pure and uncompromised, in its innermost structure.
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No harm comes to man from outside alone: dumbness is the objective spirit.
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The forms of art reflect the history of man more truthfully than do documents themselves.
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It is not the office of art to spotlight alternatives, but to resist by its form alone the course of the world, which permanently puts a pistol to men's heads.
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Writing poetry after Auschwitz is barbaric.
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In the nineteenth century the Germans painted their dream and the outcome was invariably vegetable. The French needed only to paint a vegetable and it was already a dream.
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He who integrates is lost.
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Art as a whole is a riddle. Another way of putting this is to say that art expresses something while at the same time hiding it.
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The task of art today is to bring chaos into order. Artistic productivity is the capacity for being voluntarily involuntary.
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What can oppose the decline of the west is not a resurrected culture but the utopia that is silently contained in the image of its decline.
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For a man who no longer has a homeland, writing becomes a place to live.
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What has become alien to men is the human component of culture, its closest part, which upholds them against the world. They make common cause with the world against themselves, and the most alienated condition of all, the omnipresence of commodities, their own conversion into appendages of machinery, is for them a mirage of closeness.
Theodor Adorno