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Advice to intellectuals: let no-one represent you.

Theodor Adorno

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Theodor Adorno
Intellectuals
Represent
Advice

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The empirical usability of the sacred ceremonial words makes both the speaker and listener believe in their corporeal presence.
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Today self-consciousness no longer means anything but reflection on the ego as embarrassment, as realization of impotence: knowing that one is nothing.
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Very evil people cannot really be imagined dying.
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History does not merely touch on language, but takes place in it.
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There is no love that is not an echo.
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No harm comes to man from outside alone: dumbness is the objective spirit.
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Love is the power to see similarity in the dissimilar.
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Everything that has ever been called folk art has always reflected domination.
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The basest person is capable of perceiving the weaknesses of the greatest, the most stupid, the errors in the thought of the most intelligent.
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The recent past always presents itself as if destroyed by catastrophes.
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Only a humanity to whom death has become as indifferent as its members, that has itself died, can inflict it administratively on innumerable people.
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It is not the office of art to spotlight alternatives, but to resist by its form alone the course of the world, which permanently puts a pistol to men's heads.
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In the general tendency toward specialization, philosophy too has established itself as a specialized discipline, one purified of all specific content. In so doing, philosophy has denied its own constitutive concept: the intellectual freedom that does not obey the dictates of specialized knowledge.
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In Anglo-Saxon countries the prostitutes look as if they purveyed, along with sin, the attendant pains of hell.
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It is Proust's courtesy to spare the reader the embarrassment of believing himself cleverer than the author.
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Technology is making gestures precise and brutal, and with them men.
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In psycho-analysis nothing is true except the exaggerations.
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The capacity for fear and for happiness are the same, the unrestricted openness to experience amounting to self-abandonment in which the vanquished rediscovers himself.
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In the end, the writer is not even allowed to live in his writing.
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Vague expression permits the hearer to imagine whatever suits him and what he already thinks in any case.
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