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Freedom would be not to choose between black and white but to abjure such prescribed choices.

Theodor Adorno

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Theodor Adorno
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Would
Abjure
Uncommitted
Prescribed
Choose
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Freedom

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For a man who no longer has a homeland, writing becomes a place to live.
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Dialectic thought is an attempt to break through the coercion of logic by its own means.
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The expression if history in things is no other than that of past torment.
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Once the last trace of emotion has been eradicated, nothing remains of thought but absolute tautology.
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Wrong life cannot be lived rightly.
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Every work of art is an uncommitted crime.
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Knowledge, which is power, knows no limits, either in its enslavement of creation or in its deference to worldly masters.
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The splinter in your eye is the best magnifying-glass available.
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The Enlightenment has always aimed at liberating men from fear and establishing their sovereignty. Yet the fully enlightened earth radiates disaster triumphant.
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It is not the office of art to spotlight alternatives, but to resist by its form alone the course of the world, which permanently puts a pistol to men's heads.
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If across the Atlantic the ideology was pride, here it is delivering the goods.
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Because thought has by now been perverted into the solving of assigned problems, even what is not assigned is processed like a problem.
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Suffering has as much right to be expressed as a martyr has to cry out. So it may have been false to say that writing poetry after Auschwitz is impossible.
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The inadequacy of the purely purpose-oriented form is revealed for what it is-a monotonous, impoverished boring practicality.
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Tenderness between people is nothing other than awareness of the possibility of relations without purpose.
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There is no love that is not an echo.
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What the philosophers once knew as life has become the sphere of private existence and now of mere consumption, dragged along as an appendage of the process of material production, without autonomy or substance of its own.
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They [the critics] deal with Schoenberg's early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
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Love is the power to see similarity in the dissimilar.
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In his state of complete powerlessness the individual perceives the time he has left to live as a brief reprieve.
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