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Freedom would be not to choose between black and white but to abjure such prescribed choices.

Theodor Adorno

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Theodor Adorno
Prescribed
Choose
Choices
Freedom
White
Black
Would
Abjure
Uncommitted

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The human is indissolubly linked with imitation: a human being only becomes human at all by imitating other human beings.
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Of the world as it exists, it is not possible to be enough afraid.
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The darkening of the world makes the irrationality of art rational: radically darkened art.
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No harm comes to man from outside alone: dumbness is the objective spirit.
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The man for whom time stretches out painfully is one waiting in vain, disappointed at not finding tomorrow already continuing yesterday.
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In many people it is already an impertinence to say 'I'.
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The straight line is regarded as the shortest distance between two people, as if they were points.
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Only a humanity to whom death has become as indifferent as its members, that has itself died, can inflict it administratively on innumerable people.
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True thoughts are those alone which do not understand themselves.
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A successful work of art is not one which resolves objective contradictions in a spurious harmony, but one which expresses the idea of harmony negatively by embodying the contradictions, pure and uncompromised, in its innermost structure.
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What has become alien to men is the human component of culture, its closest part, which upholds them against the world. They make common cause with the world against themselves, and the most alienated condition of all, the omnipresence of commodities, their own conversion into appendages of machinery, is for them a mirage of closeness.
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None of the abstract concepts comes closer to fulfilled utopia than that of eternal peace.
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Lies are told only to convey to someone that one has no need either of him or his good opinion.
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There is no love that is not an echo.
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They [the critics] deal with Schoenberg's early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
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Wrong life cannot be lived rightly.
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All the world's not a stage.
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The dialectic cannot stop short before the conceptsof health and sickness, nor indeed before their siblings reason and unreason.
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The capacity for fear and for happiness are the same, the unrestricted openness to experience amounting to self-abandonment in which the vanquished rediscovers himself.
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Proletarian language is dictated by hunger. The poor chew words to fill their bellies.
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