A critic should always strive to recapture the sense of wonder and surprise with which he first beheld a now-familiar work of art.

I was interested in Armstrong to begin with because he is the most important figure in Jazz in the 20th Century. There's simply no question about it. I mean, if you're going to compare him to somebody, it's Shakespeare in terms of centrality of the tradition, in being at the beginning of it.

Whether early or late, the Parker novels are all superlative literary entertainments.

We are born into a vast room whose walls consist of a thousand doors of possibility. Each door is flung open to the world outside, and the room is filled with light and noise. We close some of the doors deliberately, sometimes with fear, sometimes with calm certainty. Others seem to close by themselves, some so quietly that we do not even notice.

This impeccably researched study of the classic black insult game may be the funniest work of serious scholarship ever published.

I should also mention that the Neue Galerie is piping music into the galleries where Klee and America is hanging, a practice for which vulgar is not even close to the word. Yes, I like Schumann's Carnaval, but I'm damned if I know why anybody thinks the paintings of Paul Klee profit from being viewed with Carnaval playing in the background.

EXTREMELY FUNNY! A SUPER-VIRTUOSO! I expected to enjoy 'The Two and Only,' but I didn't expect to be touched, much less to find my eyes growing moist.

I know that luck has a way of happening to people who shoot high, who never sell themselves short.

(R)eality TV (is) a medium dedicated to the proposition that with the help of judicious editing, carefully chosen half-wits can hold the attention of millions of their fellow half-wits for weeks on end.