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It's hard for me to worry about the studios losing money. I'm not very sympathetic to their money problems, because they certainly haven't been sympathetic to mine.

Terry Gilliam

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Terry Gilliam
Age: 83
Born: 1940
Born: November 22
Actor
Animator
Comedian
Comics Artist
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Minneapolis
Minnesota
Terrence Vance Gilliam
Certainly
Problems
Sympathetic
Worry
Studios
Money
Mines
Problem
Mine
Hard
Havens
Haven
Losing

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I never define depression, clinical or otherwise. It's the basis of most life, it seems to me, in the modern world. We're all depressed.
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Writers do the self-censoring before they even get to the studio executive, because they know the film will not run that gauntlet. They, because they want to get their films made, they censor it.
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I do want to say things in these films. I want audiences to come out with shards stuck in them. I don't care if people love my films or walk out, as long as they have a strong response.
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I can feel my dreams but I can't remember them.
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In advertising, I was frustrated by having to deal with the client. It was the only time I really worked in a proper office, and I didn't like it-simple as that.
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I've given up asking questions. l merely float on a tsunami of acceptance of anything life throws at me ... and marvel stupidly.
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I got my head bashed in at a demonstration against the Vietnam War. Police were losing control because they were up against a world they really didn't understand.
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Because I dislike being quoted I lie almost constantly when talking about my work.
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I've always sworn that not having enough money has saved me from mediocrity.
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The Brothers Grimm came along and I was so desperate for work... Actually I've got to say that I like the movie, I won't apologize for it.
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I'm trying to escape by forming my own kind of world. Basically, I'm trying to encourage others to do the same.
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My problem is I'm like a junkie. I want a good movie fix, and I never get that fix.
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My strength, if it's anything, is that I can lure some big-name actors in. That's probably the strength of almost any director now. On your own, as a director, you've only got so much weight. James Cameron, George Lucas, Steven Spielberg, Michael Bay... that's about it. Everybody else depends on the star power that they can draw.
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Hyperbole is something Id better avoid.
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The success of the Hollywood marketing machine is to limit what we see. Not just to limit what we can see, but also to limit our expectations - to limit what we want to see.
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Every few years when it's been another five years that have passed and I haven't made a film and the depression starts taking over totally, I allow myself to do a commercial. And then I feel really dirty and get to work promptly.
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I don't think you ever learn just one thing. At some point you start unlearning things. I have been working hard to unlearn everything I know.
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John Cleese was with a group called Cambridge Circus, who had come to New York, and we became friends. Years later that produced a certain team effort.
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There was a perverse side of me, with things like Van Helsing coming out. I didn't want to go down that route.
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Literally overnight, I became an animator... and one that was well-known.
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