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Writers do the self-censoring before they even get to the studio executive, because they know the film will not run that gauntlet. They, because they want to get their films made, they censor it.

Terry Gilliam

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Terry Gilliam
Age: 84
Born: 1940
Born: November 22
Actor
Animator
Comedian
Comics Artist
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Minneapolis
Minnesota
Terrence Vance Gilliam
Made
Studio
Studios
Writers
Films
Gauntlet
Running
Censoring
Film
Censor
Self
Executive
Even
Executives

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Because I dislike being quoted I lie almost constantly when talking about my work.
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I've always sworn that not having enough money has saved me from mediocrity.
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My problem is I'm like a junkie. I want a good movie fix, and I never get that fix.
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I wasn't creative or theatrical. I was just doing everything. I was head cheerleader, valedictorian - it was ridiculous!
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Actually, I began to think that maybe there is a god, after all. Or maybe its a different one. The old one got fired.
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All films are learning processes. I am still trying to work out how you make a movie. I didn't study at film school or any of those things. I didn't bother with film theory.
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Hyperbole is something Id better avoid.
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I'm trying to escape by forming my own kind of world. Basically, I'm trying to encourage others to do the same.
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I was born in 1940 in Minnesota and grew up in the country... dirt roads, swamps, lakes, woods.
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I can feel my dreams but I can't remember them.
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The success of the Hollywood marketing machine is to limit what we see. Not just to limit what we can see, but also to limit our expectations - to limit what we want to see.
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I have always got medicine I want to give to people.
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I do want to say things in these films. I want audiences to come out with shards stuck in them. I don't care if people love my films or walk out, as long as they have a strong response.
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I hate losing laughs they're rare things.
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The forces that run the world always try to keep things under control. The population might be having a wonderful time, buying iPods and going to nice restaurants, but I still feel they're all kind of under control.
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I never define depression, clinical or otherwise. It's the basis of most life, it seems to me, in the modern world. We're all depressed.
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My strength, if it's anything, is that I can lure some big-name actors in. That's probably the strength of almost any director now. On your own, as a director, you've only got so much weight. James Cameron, George Lucas, Steven Spielberg, Michael Bay... that's about it. Everybody else depends on the star power that they can draw.
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It's hard for me to worry about the studios losing money. I'm not very sympathetic to their money problems, because they certainly haven't been sympathetic to mine.
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Literally overnight, I became an animator... and one that was well-known.
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