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I've always sworn that not having enough money has saved me from mediocrity.

Terry Gilliam

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Terry Gilliam
Age: 83
Born: 1940
Born: November 22
Actor
Animator
Comedian
Comics Artist
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Minneapolis
Minnesota
Terrence Vance Gilliam
Sworn
Mediocrity
Saved
Money
Enough
Always

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I got tired of my taxes paying for exciting little wars around the world. Then I discovered that when I died, my wife would probably have to sell our house to pay for the taxes in America.
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The success of the Hollywood marketing machine is to limit what we see. Not just to limit what we can see, but also to limit our expectations - to limit what we want to see.
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I was born in 1940 in Minnesota and grew up in the country... dirt roads, swamps, lakes, woods.
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I never define depression, clinical or otherwise. It's the basis of most life, it seems to me, in the modern world. We're all depressed.
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Every few years when it's been another five years that have passed and I haven't made a film and the depression starts taking over totally, I allow myself to do a commercial. And then I feel really dirty and get to work promptly.
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The forces that run the world always try to keep things under control. The population might be having a wonderful time, buying iPods and going to nice restaurants, but I still feel they're all kind of under control.
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I've given up asking questions. l merely float on a tsunami of acceptance of anything life throws at me ... and marvel stupidly.
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My problem is I'm like a junkie. I want a good movie fix, and I never get that fix.
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I wasn't creative or theatrical. I was just doing everything. I was head cheerleader, valedictorian - it was ridiculous!
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I think it's worse for actors, though, because people have to choose you. As a director, I get to choose the actors, but most of the time, actors have to be chosen in order to work.
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Literally overnight, I became an animator... and one that was well-known.
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Because I dislike being quoted I lie almost constantly when talking about my work.
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It's hard for me to worry about the studios losing money. I'm not very sympathetic to their money problems, because they certainly haven't been sympathetic to mine.
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In advertising, I was frustrated by having to deal with the client. It was the only time I really worked in a proper office, and I didn't like it-simple as that.
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If you really want your films to say something that you hope is unique, then patience and stamina, thick skin and a kind of stupidity, a mule-like stupidity, is what you really need.
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The whole point of animation to me is to tell a story, make a joke, express an idea. The technique itself doesn't really matter. Whatever works is the thing to use.
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Actually, I began to think that maybe there is a god, after all. Or maybe its a different one. The old one got fired.
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I like being a patron of things, I like patronizing things. And if it's not going to be people, I'll patronize a festival.
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I was getting frustrated with America. It's interesting how as simple a thing as, like, letting your hair grow longer changed in the world in those days.
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I do want to say things in these films. I want audiences to come out with shards stuck in them. I don't care if people love my films or walk out, as long as they have a strong response.
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