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The success of the Hollywood marketing machine is to limit what we see. Not just to limit what we can see, but also to limit our expectations - to limit what we want to see.

Terry Gilliam

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Terry Gilliam
Age: 83
Born: 1940
Born: November 22
Actor
Animator
Comedian
Comics Artist
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Minneapolis
Minnesota
Terrence Vance Gilliam
Expectations
Limits
Hollywood
Success
Also
Limit
Marketing
Machine
Machines

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I was born in 1940 in Minnesota and grew up in the country... dirt roads, swamps, lakes, woods.
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Hyperbole is something Id better avoid.
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I was getting frustrated with America. It's interesting how as simple a thing as, like, letting your hair grow longer changed in the world in those days.
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My strength, if it's anything, is that I can lure some big-name actors in. That's probably the strength of almost any director now. On your own, as a director, you've only got so much weight. James Cameron, George Lucas, Steven Spielberg, Michael Bay... that's about it. Everybody else depends on the star power that they can draw.
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Because I dislike being quoted I lie almost constantly when talking about my work.
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I don't think you ever learn just one thing. At some point you start unlearning things. I have been working hard to unlearn everything I know.
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I'm trying to escape by forming my own kind of world. Basically, I'm trying to encourage others to do the same.
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I do want to say things in these films. I want audiences to come out with shards stuck in them. I don't care if people love my films or walk out, as long as they have a strong response.
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I have always got medicine I want to give to people.
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I think it's worse for actors, though, because people have to choose you. As a director, I get to choose the actors, but most of the time, actors have to be chosen in order to work.
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Writers do the self-censoring before they even get to the studio executive, because they know the film will not run that gauntlet. They, because they want to get their films made, they censor it.
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In advertising, I was frustrated by having to deal with the client. It was the only time I really worked in a proper office, and I didn't like it-simple as that.
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I like being a patron of things, I like patronizing things. And if it's not going to be people, I'll patronize a festival.
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Actually, I began to think that maybe there is a god, after all. Or maybe its a different one. The old one got fired.
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Literally overnight, I became an animator... and one that was well-known.
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I can feel my dreams but I can't remember them.
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There was a perverse side of me, with things like Van Helsing coming out. I didn't want to go down that route.
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I've always sworn that not having enough money has saved me from mediocrity.
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My problem is I'm like a junkie. I want a good movie fix, and I never get that fix.
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I wasn't creative or theatrical. I was just doing everything. I was head cheerleader, valedictorian - it was ridiculous!
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