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If you really want your films to say something that you hope is unique, then patience and stamina, thick skin and a kind of stupidity, a mule-like stupidity, is what you really need.

Terry Gilliam

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Terry Gilliam
Age: 84
Born: 1940
Born: November 22
Actor
Animator
Comedian
Comics Artist
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Minneapolis
Minnesota
Terrence Vance Gilliam
Hope
Stamina
Film
Thick
Need
Stupidity
Needs
Skin
Kind
Patience
Something
Skins
Really
Films
Mule
Like
Unique
Mules

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I was born in 1940 in Minnesota and grew up in the country... dirt roads, swamps, lakes, woods.
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My problem is I'm like a junkie. I want a good movie fix, and I never get that fix.
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Every few years when it's been another five years that have passed and I haven't made a film and the depression starts taking over totally, I allow myself to do a commercial. And then I feel really dirty and get to work promptly.
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I've given up asking questions. l merely float on a tsunami of acceptance of anything life throws at me ... and marvel stupidly.
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The Brothers Grimm came along and I was so desperate for work... Actually I've got to say that I like the movie, I won't apologize for it.
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Writers do the self-censoring before they even get to the studio executive, because they know the film will not run that gauntlet. They, because they want to get their films made, they censor it.
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Hyperbole is something Id better avoid.
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I hate losing laughs they're rare things.
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I'm trying to escape by forming my own kind of world. Basically, I'm trying to encourage others to do the same.
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I got my head bashed in at a demonstration against the Vietnam War. Police were losing control because they were up against a world they really didn't understand.
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I think it's worse for actors, though, because people have to choose you. As a director, I get to choose the actors, but most of the time, actors have to be chosen in order to work.
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I wasn't creative or theatrical. I was just doing everything. I was head cheerleader, valedictorian - it was ridiculous!
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The whole point of animation to me is to tell a story, make a joke, express an idea. The technique itself doesn't really matter. Whatever works is the thing to use.
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Actually, I began to think that maybe there is a god, after all. Or maybe its a different one. The old one got fired.
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There was a perverse side of me, with things like Van Helsing coming out. I didn't want to go down that route.
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The success of the Hollywood marketing machine is to limit what we see. Not just to limit what we can see, but also to limit our expectations - to limit what we want to see.
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I have always got medicine I want to give to people.
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I was getting frustrated with America. It's interesting how as simple a thing as, like, letting your hair grow longer changed in the world in those days.
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All films are learning processes. I am still trying to work out how you make a movie. I didn't study at film school or any of those things. I didn't bother with film theory.
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Literally overnight, I became an animator... and one that was well-known.
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