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The Brothers Grimm came along and I was so desperate for work... Actually I've got to say that I like the movie, I won't apologize for it.

Terry Gilliam

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Terry Gilliam
Age: 84
Born: 1940
Born: November 22
Actor
Animator
Comedian
Comics Artist
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Minneapolis
Minnesota
Terrence Vance Gilliam
Came
Grimm
Actually
Apologize
Work
Apologizing
Like
Brothers
Desperate
Brother
Along
Movie

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I was getting frustrated with America. It's interesting how as simple a thing as, like, letting your hair grow longer changed in the world in those days.
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I do want to say things in these films. I want audiences to come out with shards stuck in them. I don't care if people love my films or walk out, as long as they have a strong response.
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Writers do the self-censoring before they even get to the studio executive, because they know the film will not run that gauntlet. They, because they want to get their films made, they censor it.
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I was born in 1940 in Minnesota and grew up in the country... dirt roads, swamps, lakes, woods.
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I've given up asking questions. l merely float on a tsunami of acceptance of anything life throws at me ... and marvel stupidly.
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I never define depression, clinical or otherwise. It's the basis of most life, it seems to me, in the modern world. We're all depressed.
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I have always got medicine I want to give to people.
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If you really want your films to say something that you hope is unique, then patience and stamina, thick skin and a kind of stupidity, a mule-like stupidity, is what you really need.
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The English are such a frightened, nervous, insecure group of people - they no longer rule the world!
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I got tired of my taxes paying for exciting little wars around the world. Then I discovered that when I died, my wife would probably have to sell our house to pay for the taxes in America.
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My strength, if it's anything, is that I can lure some big-name actors in. That's probably the strength of almost any director now. On your own, as a director, you've only got so much weight. James Cameron, George Lucas, Steven Spielberg, Michael Bay... that's about it. Everybody else depends on the star power that they can draw.
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The forces that run the world always try to keep things under control. The population might be having a wonderful time, buying iPods and going to nice restaurants, but I still feel they're all kind of under control.
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John Cleese was with a group called Cambridge Circus, who had come to New York, and we became friends. Years later that produced a certain team effort.
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Fantasy isn't just a jolly escape: It's an escape, but into something far more extreme than reality, or normality. It's where things are more beautiful and more wondrous and more terrifying. You move into a world of conflicting extremes.
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The whole point of animation to me is to tell a story, make a joke, express an idea. The technique itself doesn't really matter. Whatever works is the thing to use.
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I hate losing laughs they're rare things.
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All films are learning processes. I am still trying to work out how you make a movie. I didn't study at film school or any of those things. I didn't bother with film theory.
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Hyperbole is something Id better avoid.
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There was a perverse side of me, with things like Van Helsing coming out. I didn't want to go down that route.
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