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In advertising, I was frustrated by having to deal with the client. It was the only time I really worked in a proper office, and I didn't like it-simple as that.

Terry Gilliam

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Terry Gilliam
Age: 84
Born: 1940
Born: November 22
Actor
Animator
Comedian
Comics Artist
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Minneapolis
Minnesota
Terrence Vance Gilliam
Deals
Client
Simple
Clients
Didn
Frustrated
Really
Proper
Time
Advertising
Like
Worked
Office
Deal

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It's hard for me to worry about the studios losing money. I'm not very sympathetic to their money problems, because they certainly haven't been sympathetic to mine.
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Literally overnight, I became an animator... and one that was well-known.
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If you really want your films to say something that you hope is unique, then patience and stamina, thick skin and a kind of stupidity, a mule-like stupidity, is what you really need.
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I've always sworn that not having enough money has saved me from mediocrity.
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The whole point of animation to me is to tell a story, make a joke, express an idea. The technique itself doesn't really matter. Whatever works is the thing to use.
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I can feel my dreams but I can't remember them.
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The English are such a frightened, nervous, insecure group of people - they no longer rule the world!
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I never define depression, clinical or otherwise. It's the basis of most life, it seems to me, in the modern world. We're all depressed.
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I like being a patron of things, I like patronizing things. And if it's not going to be people, I'll patronize a festival.
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Writers do the self-censoring before they even get to the studio executive, because they know the film will not run that gauntlet. They, because they want to get their films made, they censor it.
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Hyperbole is something Id better avoid.
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I have always got medicine I want to give to people.
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There was a perverse side of me, with things like Van Helsing coming out. I didn't want to go down that route.
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The success of the Hollywood marketing machine is to limit what we see. Not just to limit what we can see, but also to limit our expectations - to limit what we want to see.
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I hate losing laughs they're rare things.
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I was born in 1940 in Minnesota and grew up in the country... dirt roads, swamps, lakes, woods.
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I wasn't creative or theatrical. I was just doing everything. I was head cheerleader, valedictorian - it was ridiculous!
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Fantasy isn't just a jolly escape: It's an escape, but into something far more extreme than reality, or normality. It's where things are more beautiful and more wondrous and more terrifying. You move into a world of conflicting extremes.
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The forces that run the world always try to keep things under control. The population might be having a wonderful time, buying iPods and going to nice restaurants, but I still feel they're all kind of under control.
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I do want to say things in these films. I want audiences to come out with shards stuck in them. I don't care if people love my films or walk out, as long as they have a strong response.
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