Quote

In advertising, I was frustrated by having to deal with the client. It was the only time I really worked in a proper office, and I didn't like it-simple as that.

Terry Gilliam

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Terry Gilliam
Age: 83
Born: 1940
Born: November 22
Actor
Animator
Comedian
Comics Artist
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Minneapolis
Minnesota
Terrence Vance Gilliam
Office
Deal
Deals
Client
Simple
Clients
Didn
Frustrated
Really
Proper
Time
Advertising
Like
Worked

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The forces that run the world always try to keep things under control. The population might be having a wonderful time, buying iPods and going to nice restaurants, but I still feel they're all kind of under control.
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The Brothers Grimm came along and I was so desperate for work... Actually I've got to say that I like the movie, I won't apologize for it.
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I've always sworn that not having enough money has saved me from mediocrity.
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The English are such a frightened, nervous, insecure group of people - they no longer rule the world!
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Literally overnight, I became an animator... and one that was well-known.
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I hate losing laughs they're rare things.
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Writers do the self-censoring before they even get to the studio executive, because they know the film will not run that gauntlet. They, because they want to get their films made, they censor it.
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Because I dislike being quoted I lie almost constantly when talking about my work.
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I'm trying to escape by forming my own kind of world. Basically, I'm trying to encourage others to do the same.
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The success of the Hollywood marketing machine is to limit what we see. Not just to limit what we can see, but also to limit our expectations - to limit what we want to see.
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I think it's worse for actors, though, because people have to choose you. As a director, I get to choose the actors, but most of the time, actors have to be chosen in order to work.
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I don't think you ever learn just one thing. At some point you start unlearning things. I have been working hard to unlearn everything I know.
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John Cleese was with a group called Cambridge Circus, who had come to New York, and we became friends. Years later that produced a certain team effort.
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I never define depression, clinical or otherwise. It's the basis of most life, it seems to me, in the modern world. We're all depressed.
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Every few years when it's been another five years that have passed and I haven't made a film and the depression starts taking over totally, I allow myself to do a commercial. And then I feel really dirty and get to work promptly.
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I got my head bashed in at a demonstration against the Vietnam War. Police were losing control because they were up against a world they really didn't understand.
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The whole point of animation to me is to tell a story, make a joke, express an idea. The technique itself doesn't really matter. Whatever works is the thing to use.
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I have always got medicine I want to give to people.
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If you really want your films to say something that you hope is unique, then patience and stamina, thick skin and a kind of stupidity, a mule-like stupidity, is what you really need.
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I've given up asking questions. l merely float on a tsunami of acceptance of anything life throws at me ... and marvel stupidly.
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