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It is important to see that, in the critique of ideology, only those interventions will work which make sense to the mystified subject itself.
Terry Eagleton
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Terry Eagleton
Age: 81
Born: 1943
Born: February 22
Literary Critic
Literary Historian
Literary Theorist
Non-Fiction Writer
Researcher
University Teacher
Writer
Salford
Greater Manchester
Subjects
Sense
Important
Mystified
Work
Interventions
Make
Critique
Intervention
Ideology
Subject
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It is capitalism, not Marxism, that trades in futures.
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Language, identity and forms of life are the terms in which political demands are shaped and voiced.
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One side-effect of the so-called war on terror has been a crisis of liberalism. This is not only a question of alarmingly illiberal legislation, but a more general problem of how the liberal state deals with its anti-liberal enemies.
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It is silly to call fat people gravitationally challenged, a self-righteous fetishism of language which is no more than a symptom of political frustration.
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The most common mistake students of literature make is to go straight for what the poem or novel says, setting aside the way that it says it. To read like this is to set aside the ‘literariness’ of the work – the fact that it is a poem or play or novel, rather than an account of the incidence of soil erosion in Nebraska.
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You can tell that the capitalist system is in trouble when people start talking about capitalism.
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Post-structuralism is among other things a kind of theoretical hangover from the failed uprising of ‘68, a way of keeping the revolution warm at the level of language, blending the euphoric libertarianism of that moment with the stoical melancholia of its aftermath.
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What's wrong with a bit of nostalgia between friends? I think nostalgia sometimes gets too much of a bad press.
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The past can be used to renew the present, not just to bury it.
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History works itself out by an inevitable internal logic.
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Ideology... is a kind of contemporary mythology, a realm which has purged itself of ambiguity and alternative possibility.
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In the end, the humanities can only be defended by stressing how indispensable they are and this means insisting on their vital role in the whole business of academic learning, rather than protesting that, like some poor relation, they don't cost much to be housed.
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Irish fiction is full of secrets, guilty pasts, divided identities. It is no wonder that there is such a rich tradition of Gothic writing in a nation so haunted by history.
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Anyone can be tolerant of those who are tolerant.
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We face a conflict between civilisation and culture, which used to be on the same side. Civilisation means rational reflection, material wellbeing, individual autonomy and ironic self-doubt culture means a form of life that is customary, collective, passionate, spontaneous, unreflective and arational.
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Readers are less and less seen as mere non-writers, the subhuman other or flawed derivative of the author the lack of a pen is no longer a shameful mark of secondary status but a positively enabling space, just as within every writer can be seen to lurk, as a repressed but contaminating antithesis, a reader.
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It is true that too much belief can be bad for your health.
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Literature transforms and intensifies ordinary language, deviates systematically from everyday speech.
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A truly common culture is not one in which we all think alike, or in which we all believe that fairness is next to godliness, but one in which everyone is allowed to be in on the project of cooperatively shaping a common way of life.
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Man eternally tries to get back to an organic past that has slipped just beyond his reach.
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