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Today, nostalgia is almost as unacceptable as racism.

Terry Eagleton

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Terry Eagleton
Age: 81
Born: 1943
Born: February 22
Literary Critic
Literary Historian
Literary Theorist
Non-Fiction Writer
Researcher
University Teacher
Writer
Salford
Greater Manchester
Unacceptable
Nostalgia
Racism
Almost
Today

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History works itself out by an inevitable internal logic.
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I liked early Amis a lot, but I stopped reading him some time ago. I admire Hitchens on literary topics - I think he is very astute. McEwan, I read a bit. But I suppose it's more the ideological phenomenon that they represent together that interests me.
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Americans use the word dream as often as psychoanalysts do.
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It is language which speaks in literature, in all its swarming 'polysemic' plurality, not the author himself.
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It is capitalism, not Marxism, that trades in futures.
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Nations sometimes flourish by denying the crimes that brought them into being. Only when the original invasion, occupation, extermination or usurpation has been safely thrust into the political unconscious can sovereignty feel secure.
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The role of the intellectual, so it is said, is to speak truth to power. Noam Chomsky has dismissed this pious tag on two grounds. For one thing, power knows the truth already it is just busy trying to conceal it. For another, it is not those in power who need the truth, but those they oppress.
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Being brought up in a culture is a matter of learning appropriate forms of feeling as much as particular ways of thinking.
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To declare in St John's words that Jesus and the Father are one is to claim that Jesus's dependence on the Other is not self-estrangement but self-ful lment. At the core of his identity ..lies nothing but unconditional love.
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There is an insuperable problem about introducing immigrants to British values. There are no British values. Nor are there any Serbian or Peruvian values. No nation has a monopoly on fairness and decency, justice and humanity.
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Nothing in human life is inherently private.
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In the end, it is because the media are driven by the power and wealth of private individuals that they turn private lives into public spectacles. If every private life is now potentially public property, it is because private property has undermined public responsibility.
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The truth is that liberal humanism is at once largely ineffectual, and the best ideology of the 'human' that present bourgeois society can muster.
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Readers are less and less seen as mere non-writers, the subhuman other or flawed derivative of the author the lack of a pen is no longer a shameful mark of secondary status but a positively enabling space, just as within every writer can be seen to lurk, as a repressed but contaminating antithesis, a reader.
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Most poetry in the modern age has retreated to the private sphere, turning its back on the political realm.
Terry Eagleton
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The frontier between public and private shifts from time to time and culture to culture.
Terry Eagleton
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The most common mistake students of literature make is to go straight for what the poem or novel says, setting aside the way that it says it. To read like this is to set aside the ‘literariness’ of the work – the fact that it is a poem or play or novel, rather than an account of the incidence of soil erosion in Nebraska.
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Reading is not a straightforward linear movement, a merely cumulative affair: our initial speculations generate a frame of reference within which to interpret what comes next, but what comes next may retrospectively transform our original understanding, highlighting some features of it and backgrounding others.
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Those who sentimentally indulge humanity do it no favours.
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There seems to be something in humanity which will not bow meekly to the insolence of power.
Terry Eagleton