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Most poetry in the modern age has retreated to the private sphere, turning its back on the political realm.
Terry Eagleton
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Terry Eagleton
Age: 81
Born: 1943
Born: February 22
Literary Critic
Literary Historian
Literary Theorist
Non-Fiction Writer
Researcher
University Teacher
Writer
Salford
Greater Manchester
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Realms
Turning
Private
Poetry
Modern
Retreated
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Political
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All communication involves faith indeed, some linguisticians hold that the potential obstacles to acts of verbal understanding are so many and diverse that it is a minor miracle that they take place at all.
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Capitalism cannot survive without a working class, while the working class can flourish a lot more freely without capitalism.
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Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.
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In the end, the humanities can only be defended by stressing how indispensable they are and this means insisting on their vital role in the whole business of academic learning, rather than protesting that, like some poor relation, they don't cost much to be housed.
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The truth is that liberal humanism is at once largely ineffectual, and the best ideology of the 'human' that present bourgeois society can muster.
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Successful revolutions are those which end up by erasing all traces of themselves.
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Schizophrenic language has in this sense an interesting resemblance to poetry.
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Most students of literature can pick apart a metaphor or spot an ethnic stereotype, but not many of them can say things like: 'The poem's sardonic tone is curiously at odds with its plodding syntax.
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Like all the best radical positions, then, mine is a thoroughly traditionalist one.
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If the masses are not thrown a few novels , they may react by throwing up a few barricades.
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Readers are less and less seen as mere non-writers, the subhuman other or flawed derivative of the author the lack of a pen is no longer a shameful mark of secondary status but a positively enabling space, just as within every writer can be seen to lurk, as a repressed but contaminating antithesis, a reader.
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The past can be used to renew the present, not just to bury it.
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It is true that too much belief can be bad for your health.
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For the liberal state to accommodate a diversity of beliefs while having few positive convictions is one of the more admirable achievements of civilization.
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There seems to be something in humanity which will not bow meekly to the insolence of power.
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Anyone can be tolerant of those who are tolerant.
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Irish fiction is full of secrets, guilty pasts, divided identities. It is no wonder that there is such a rich tradition of Gothic writing in a nation so haunted by history.
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There is an insuperable problem about introducing immigrants to British values. There are no British values. Nor are there any Serbian or Peruvian values. No nation has a monopoly on fairness and decency, justice and humanity.
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It is silly to call fat people gravitationally challenged, a self-righteous fetishism of language which is no more than a symptom of political frustration.
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