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One of the difficulties of photography is that it is much better at being explicit than at being reticent.

Teju Cole

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Teju Cole
Age: 49
Born: 1975
Born: June 27
Art Historian
Photographer
Writer
Michigan
United States
Photography
Better
Much
Reticent
Explicit
Difficulties
Difficulty

More quotes by Teju Cole

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I adore imaginary monsters, but I am terrified of real ones.
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I just realized that we're facing here is an empathy gap. And this was just another way to generate conversation about something that nobody wanted to look at.
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It wasn't a deception: all lovers live on partial knowledge.
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Sebald, Naipaul, and Joyce are three of my biggest influences, all of them for their formal freedom and their ability to create mood. So those comparisons are immensely flattering and, of course, unearned.
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My own literary interest is more about excavating the past, or sensing the past inside the present. This requires all kinds of exclusions and sleights of hand. There's an admittedly antiquarian flavor to it, even though there's enough of the present included to lull the reader.
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Not in this specific form. But all great cities are inhabited by ghosts. A book of this kind could probably be written about Jakarta, Manila, or London by anyone who had a feeling for the invisible truths of those places.
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The White Savior Industrial Complex is not about justice. It is about having a big emotional experience that validates privilege.
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Still, there's that faint glimmer of hope we feel when we sense, in other people, the same kind of attentiveness to life that we take comfort in. Why else would anyone watch Haneke films or read Sebald? The material is grim, but it's redeemed by the quality of the attention.
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Not explicitly, no. Compared to this enormous, relentless evolutionary activity in the built environment, writing is small potatoes.
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A MOB is not, as is so often said, mindless. A MOB is single-minded.
Teju Cole
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Love perhaps includes the promise that when the mob comes for you I'll go against the mob.
Teju Cole
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Each time I caught sight of geese swooping in formation across the sky, I wondered how our life below might look from their perspective, and imagined that, were they ever to indulge in such speculation, the high-rises might seem to them like firs massed in a grove.
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The big idea behind it was to somehow participate in the discussion about justice. What does it mean to be just to the others out there whose lives we do not think about. One of the answers I came up with was simply tell their stories.
Teju Cole
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To be alive, it seemed to me, as I stood there in all kinds of sorrow, was to be both original and reflection, and to be dead was to be split off, to be reflection alone.
Teju Cole
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Yes, there's a relaying of internal states that only a novel can achieve. In my view, the novel is one of Europe's greatest gifts to the world. America and Africa collaborated to give the world jazz. We'll call it even.
Teju Cole
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The Australian Gerald Murnane, a genius on the level of Beckett, is known in Australia and Sweden but almost nowhere else. And I loved Reality Hunger, David Shields' recent novel take on the art of the novel.
Teju Cole
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The novelist loses, every time. Politics is insidious, the modern conduct of war (from shoulder-launched rockets to drone strikes) is insidious. Someone presses a button in California and twenty people are incinerated at a wedding in Pakistan. The killer is spared the sight of the corpses.
Teju Cole
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Note-taking is important to me: a week's worth of reading notes (or thoughts I had in the shower notes) is cumulatively more interesting than anything I might be able to come up with on a single given day.
Teju Cole
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I often say I've spent more time with photography than I have with literature just in terms of hours.
Teju Cole
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Always say no pun intended to draw attention to the intended pun.
Teju Cole