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Writing as writing. Writing as rioting. Writing as righting. On the best days, all three.

Teju Cole

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Teju Cole
Age: 49
Born: 1975
Born: June 27
Art Historian
Photographer
Writer
Michigan
United States
Righting
Rioting
Days
Three
Best
Writing

More quotes by Teju Cole

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The content of Saul Leiter's photographs arrives on a sort of delay: it takes a moment after the first glance to know what the picture is about. You don't so much see the image as let it dissolve into your consciousness, like a tablet in a glass of water.
Teju Cole
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A MOB is not, as is so often said, mindless. A MOB is single-minded.
Teju Cole
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The novelist loses, every time. Politics is insidious, the modern conduct of war (from shoulder-launched rockets to drone strikes) is insidious. Someone presses a button in California and twenty people are incinerated at a wedding in Pakistan. The killer is spared the sight of the corpses.
Teju Cole
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Sebald, Naipaul, and Joyce are three of my biggest influences, all of them for their formal freedom and their ability to create mood. So those comparisons are immensely flattering and, of course, unearned.
Teju Cole
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To be alive, it seemed to me, as I stood there in all kinds of sorrow, was to be both original and reflection, and to be dead was to be split off, to be reflection alone.
Teju Cole
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Love perhaps includes the promise that when the mob comes for you I'll go against the mob.
Teju Cole
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tried to focus on a particular aspect of this historical moment: the failure of mourning. This is something I haven't seen a great deal of in the writing around this disaster. And my view is that you write about disaster by writing around it, by writing allusively.
Teju Cole
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I just realized that we're facing here is an empathy gap. And this was just another way to generate conversation about something that nobody wanted to look at.
Teju Cole
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Not in this specific form. But all great cities are inhabited by ghosts. A book of this kind could probably be written about Jakarta, Manila, or London by anyone who had a feeling for the invisible truths of those places.
Teju Cole
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The strange thing, though, is that most people who write novels these days seem to be aware of only a fraction of its possibilities. Kundera goes on and on about this, and I never tire of reading him on the subject, because I agree very deeply with it.
Teju Cole
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One of the difficulties of photography is that it is much better at being explicit than at being reticent.
Teju Cole
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The novelist can't successfully depict such horrifying reality. But she can, and must, try, to bear witness. There are many ways of doing this the mode I prefer is indirect.
Teju Cole
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So, for a book set in 2006, Open City evades certain markers, while it embraces certain others. Julius doesn't use a smartphone, and he doesn't discuss contemporary US politics in any fine detail.
Teju Cole
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Always say no pun intended to draw attention to the intended pun.
Teju Cole
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I deeply respect American sentimentality, the way one respects a wounded hippo. You must keep an eye on it, for you know it is deadly.
Teju Cole
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The White Savior Industrial Complex is not about justice. It is about having a big emotional experience that validates privilege.
Teju Cole
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Each time I caught sight of geese swooping in formation across the sky, I wondered how our life below might look from their perspective, and imagined that, were they ever to indulge in such speculation, the high-rises might seem to them like firs massed in a grove.
Teju Cole
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I often say I've spent more time with photography than I have with literature just in terms of hours.
Teju Cole
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Perhaps this is what we mean by sanity: that, whatever our self-admitted eccentricities might be, we are not villains of our own stories.
Teju Cole
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You know that this vignette and that vignette belong side by side, you know that a certain turn of phrase you've been saving will probably work best within a given section of the narrative. As in a jazz performance, writing lives or dies by what's produced in that moment. But that moment is attended by long preparation.
Teju Cole