Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
I schooled in the Boston area.
Teju Cole
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Teju Cole
Age: 49
Born: 1975
Born: June 27
Art Historian
Photographer
Writer
Michigan
United States
Areas
Schooled
Boston
Area
More quotes by Teju Cole
A MOB is not, as is so often said, mindless. A MOB is single-minded.
Teju Cole
I deeply respect American sentimentality, the way one respects a wounded hippo. You must keep an eye on it, for you know it is deadly.
Teju Cole
The big idea behind it was to somehow participate in the discussion about justice. What does it mean to be just to the others out there whose lives we do not think about. One of the answers I came up with was simply tell their stories.
Teju Cole
Perhaps this is what we mean by sanity: that, whatever our self-admitted eccentricities might be, we are not villains of our own stories.
Teju Cole
To be alive, it seemed to me, as I stood there in all kinds of sorrow, was to be both original and reflection, and to be dead was to be split off, to be reflection alone.
Teju Cole
But a book suggests conversation: one person is speaking to another, and audible sound is, or should be, natural to that exchange. So I read aloud with myself as the audience, and gave voice to another's words.
Teju Cole
Always say no pun intended to draw attention to the intended pun.
Teju Cole
Sebald, Naipaul, and Joyce are three of my biggest influences, all of them for their formal freedom and their ability to create mood. So those comparisons are immensely flattering and, of course, unearned.
Teju Cole
Yes, there's a relaying of internal states that only a novel can achieve. In my view, the novel is one of Europe's greatest gifts to the world. America and Africa collaborated to give the world jazz. We'll call it even.
Teju Cole
Note-taking is important to me: a week's worth of reading notes (or thoughts I had in the shower notes) is cumulatively more interesting than anything I might be able to come up with on a single given day.
Teju Cole
tried to focus on a particular aspect of this historical moment: the failure of mourning. This is something I haven't seen a great deal of in the writing around this disaster. And my view is that you write about disaster by writing around it, by writing allusively.
Teju Cole
The White Savior Industrial Complex is not about justice. It is about having a big emotional experience that validates privilege.
Teju Cole
Writing as writing. Writing as rioting. Writing as righting. On the best days, all three.
Teju Cole
It's an Obama book, certainly. I was delighted, and astonished, to hear recently that he was reading it. It's a book about a new kind of American reality, one that takes diversity for granted. It doesn't celebrate diversity, actually, it just says: this is how we live now.
Teju Cole
Still, there's that faint glimmer of hope we feel when we sense, in other people, the same kind of attentiveness to life that we take comfort in. Why else would anyone watch Haneke films or read Sebald? The material is grim, but it's redeemed by the quality of the attention.
Teju Cole
It takes a few years to understand what we've lived through. At the moment, we're still sort of mired in the irrelevant bullshit. There isn't yet that public conversation about 9/11.
Teju Cole
It is dangerous to live in a secure world.
Teju Cole
One of the difficulties of photography is that it is much better at being explicit than at being reticent.
Teju Cole
Each neighborhood of the city appeared to be made of a different substance, each seemed to have a different air pressure, a different psychic weight: the bright lights and shuttered shops, the housing projects and luxury hotels, the fire escapes and city parks.
Teju Cole
The content of Saul Leiter's photographs arrives on a sort of delay: it takes a moment after the first glance to know what the picture is about. You don't so much see the image as let it dissolve into your consciousness, like a tablet in a glass of water.
Teju Cole