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I adore imaginary monsters, but I am terrified of real ones.

Teju Cole

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Teju Cole
Age: 49
Born: 1975
Born: June 27
Art Historian
Photographer
Writer
Michigan
United States
Adore
Terrified
Imaginary
Monsters
Ones
Real

More quotes by Teju Cole

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You know that this vignette and that vignette belong side by side, you know that a certain turn of phrase you've been saving will probably work best within a given section of the narrative. As in a jazz performance, writing lives or dies by what's produced in that moment. But that moment is attended by long preparation.
Teju Cole
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Not all coincidence has to be loaded with meaning. Sometimes, things simply recur because that's how it is in life, that's how the mood gets in. It's good to subtly overdo it too, as Nabokov does, as Sebald does. It's a good way to intensify that region of localized weather that we call a novel.
Teju Cole
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One of the difficulties of photography is that it is much better at being explicit than at being reticent.
Teju Cole
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Perhaps this is what we mean by sanity: that, whatever our self-admitted eccentricities might be, we are not the villains of our own stories. In fact, it is quite the contrary: we play, and only play, the hero, and in the swirl of other people's stories, insofar as these stories concern us at all, we are never less than heroic.
Teju Cole
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I just realized that we're facing here is an empathy gap. And this was just another way to generate conversation about something that nobody wanted to look at.
Teju Cole
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Each neighborhood of the city appeared to be made of a different substance, each seemed to have a different air pressure, a different psychic weight: the bright lights and shuttered shops, the housing projects and luxury hotels, the fire escapes and city parks.
Teju Cole
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Always say no pun intended to draw attention to the intended pun.
Teju Cole
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It's an Obama book, certainly. I was delighted, and astonished, to hear recently that he was reading it. It's a book about a new kind of American reality, one that takes diversity for granted. It doesn't celebrate diversity, actually, it just says: this is how we live now.
Teju Cole
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Note-taking is important to me: a week's worth of reading notes (or thoughts I had in the shower notes) is cumulatively more interesting than anything I might be able to come up with on a single given day.
Teju Cole
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The big idea behind it was to somehow participate in the discussion about justice. What does it mean to be just to the others out there whose lives we do not think about. One of the answers I came up with was simply tell their stories.
Teju Cole
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Perhaps this is what we mean by sanity: that, whatever our self-admitted eccentricities might be, we are not villains of our own stories.
Teju Cole
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So, for a book set in 2006, Open City evades certain markers, while it embraces certain others. Julius doesn't use a smartphone, and he doesn't discuss contemporary US politics in any fine detail.
Teju Cole
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My own literary interest is more about excavating the past, or sensing the past inside the present. This requires all kinds of exclusions and sleights of hand. There's an admittedly antiquarian flavor to it, even though there's enough of the present included to lull the reader.
Teju Cole
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The content of Saul Leiter's photographs arrives on a sort of delay: it takes a moment after the first glance to know what the picture is about. You don't so much see the image as let it dissolve into your consciousness, like a tablet in a glass of water.
Teju Cole
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To be alive, it seemed to me, as I stood there in all kinds of sorrow, was to be both original and reflection, and to be dead was to be split off, to be reflection alone.
Teju Cole
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Not in this specific form. But all great cities are inhabited by ghosts. A book of this kind could probably be written about Jakarta, Manila, or London by anyone who had a feeling for the invisible truths of those places.
Teju Cole
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It takes a few years to understand what we've lived through. At the moment, we're still sort of mired in the irrelevant bullshit. There isn't yet that public conversation about 9/11.
Teju Cole
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Sebald, Naipaul, and Joyce are three of my biggest influences, all of them for their formal freedom and their ability to create mood. So those comparisons are immensely flattering and, of course, unearned.
Teju Cole
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The site was a palimpsest, as was all the city, written, erased, rewritten.
Teju Cole
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Not explicitly, no. Compared to this enormous, relentless evolutionary activity in the built environment, writing is small potatoes.
Teju Cole