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I also do a certain amount of talking through material on stage, to see what happens and allow interesting ideas to manifest.

Ted Alexandro

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Ted Alexandro
Age: 55
Born: 1969
Born: January 26
Comedian
Bellerose
Queens
Amount
Stage
Talking
Interesting
Happens
Manifest
Also
Material
Certain
Allow
Ideas
Materials

More quotes by Ted Alexandro

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A crowd is the only way to know if something works. Telling a friend or two doesn't matter. A crowd is what tells you what works or doesn't, so I'd rather go in front of them cold and see.
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Sometimes crowds start out not liking someone but then they shift and love them. Or vice versa. It can shift on a dime.
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I belong to a gym now... well, let me rephrase that: I don't belong there at all, but I go.
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I wasn't in the drama department, but I auditioned anyway and he not only cast me but also included a few sketches that I wrote, which really sparked my pursuit of comedy.
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A person riding a unicycle on a tightrope doesn't worry about being likeable they're doing something amazing that very few people can do.
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Laughing at something is a form of accepting it or at list making peace with it.
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With a project like 'Teachers Lounge,' you're wearing a lot of hats, so it demands hard work and focus if you want to do it right.
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Dave Chappelle is about as gifted as it gets, as a performer and comedian. [...] It's always great to watch him work. He started around fourteen and he's in his forties now, so he's probably been doing it for close to thirty years. He's brilliant.
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Hard work is a muscle that you develop, as is taking risks.
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It's a constant process of bouncing ideas off of one another and intuitively arriving at the right decision in the moment.
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Your stage persona is usually a version of yourself, to varying degrees. Some folks do a full-on character, so that's different. But most comics do some version of themselves.
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Ultimately, an audience wants to laugh. That's who they like, the comedian who makes them laugh.
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Comedy takes all of life and puts it through a lens of acceptance, just by the mere act of talking about it on stage in a communal setting. It's very primal and ritualistic in that sense.
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I learned so many things from Louis C.K., but the most impactful thing was witnessing his work ethic. He works harder than anyone I've ever been around in comedy. And he takes risks and doesn't dwell on what might be perceived as failures.
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I think comedy is no different now than it was at other points. It takes a long time to get good and know how to distill what makes you funny beyond the realm of standup, which is what I'm trying to do with 'Teachers Lounge.'
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Comedians have varying levels of training. It can range from classically trained actors (like Robin Williams) to people who took comedy classes to folks who just started doing it. That's the beauty of comedy: it's close to a pure meritocracy.
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Inherent in mourning is celebration. Mourning without celebration or some form of acceptance leaves you stuck.
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People don't come to a comedy club simply to hear someone's thoughts, no matter how profound.
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Comics can definitely be subversive on the whole, but it's a stylistic thing.
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I'm just looking for a little mystery in life... like things you can't explain. Like, you go to Mexico, they tell you don't drink the water. You go to any diner here, who brings you the water? It's a mystery.
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