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I also do a certain amount of talking through material on stage, to see what happens and allow interesting ideas to manifest.

Ted Alexandro

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Ted Alexandro
Age: 55
Born: 1969
Born: January 26
Comedian
Bellerose
Queens
Talking
Interesting
Happens
Manifest
Also
Material
Certain
Allow
Ideas
Materials
Amount
Stage

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A crowd is the only way to know if something works. Telling a friend or two doesn't matter. A crowd is what tells you what works or doesn't, so I'd rather go in front of them cold and see.
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Dave Chappelle is about as gifted as it gets, as a performer and comedian. [...] It's always great to watch him work. He started around fourteen and he's in his forties now, so he's probably been doing it for close to thirty years. He's brilliant.
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A person riding a unicycle on a tightrope doesn't worry about being likeable they're doing something amazing that very few people can do.
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With a project like 'Teachers Lounge,' you're wearing a lot of hats, so it demands hard work and focus if you want to do it right.
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In terms of my own work ethic, I've always been a determined person. When I'm focused on something, I try to see it through.
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I often think about my future wife and how lax she's been about getting in touch with me.
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Ultimately, an audience wants to laugh. That's who they like, the comedian who makes them laugh.
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I learned so many things from Louis C.K., but the most impactful thing was witnessing his work ethic. He works harder than anyone I've ever been around in comedy. And he takes risks and doesn't dwell on what might be perceived as failures.
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Comedians have varying levels of training. It can range from classically trained actors (like Robin Williams) to people who took comedy classes to folks who just started doing it. That's the beauty of comedy: it's close to a pure meritocracy.
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Like once we picked Jim Norton as the head of security, the writing flows pretty easily.
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Comedians are thinkers. The best ones are akin to philosophers, in my opinion.
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I'm just looking for a little mystery in life... like things you can't explain. Like, you go to Mexico, they tell you don't drink the water. You go to any diner here, who brings you the water? It's a mystery.
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I wasn't in the drama department, but I auditioned anyway and he not only cast me but also included a few sketches that I wrote, which really sparked my pursuit of comedy.
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Laughing at something is a form of accepting it or at list making peace with it.
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Sometimes crowds start out not liking someone but then they shift and love them. Or vice versa. It can shift on a dime.
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Comedy clubs are arguably one of the last bastions of uncensored, public free speech.
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Listening to your own sets and listening to the audience as you perform. It's a conversation of sorts. There is an exchange.
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Your stage persona is usually a version of yourself, to varying degrees. Some folks do a full-on character, so that's different. But most comics do some version of themselves.
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Comedy takes all of life and puts it through a lens of acceptance, just by the mere act of talking about it on stage in a communal setting. It's very primal and ritualistic in that sense.
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