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With a project like 'Teachers Lounge,' you're wearing a lot of hats, so it demands hard work and focus if you want to do it right.

Ted Alexandro

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Ted Alexandro
Age: 55
Born: 1969
Born: January 26
Comedian
Bellerose
Queens
Teacher
Lounge
Focus
Hats
Right
Demands
Hard
Teachers
Work
Wearing
Like
Project
Projects
Demand

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Hard work is a muscle that you develop, as is taking risks.
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It's a constant process of bouncing ideas off of one another and intuitively arriving at the right decision in the moment.
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Comedy clubs are arguably one of the last bastions of uncensored, public free speech.
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Comedians have varying levels of training. It can range from classically trained actors (like Robin Williams) to people who took comedy classes to folks who just started doing it. That's the beauty of comedy: it's close to a pure meritocracy.
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A person riding a unicycle on a tightrope doesn't worry about being likeable they're doing something amazing that very few people can do.
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Laughing at something is a form of accepting it or at list making peace with it.
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Inherent in mourning is celebration. Mourning without celebration or some form of acceptance leaves you stuck.
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I learned so many things from Louis C.K., but the most impactful thing was witnessing his work ethic. He works harder than anyone I've ever been around in comedy. And he takes risks and doesn't dwell on what might be perceived as failures.
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I often think about my future wife and how lax she's been about getting in touch with me.
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Dave Chappelle is about as gifted as it gets, as a performer and comedian. [...] It's always great to watch him work. He started around fourteen and he's in his forties now, so he's probably been doing it for close to thirty years. He's brilliant.
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In terms of my own work ethic, I've always been a determined person. When I'm focused on something, I try to see it through.
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Your stage persona is usually a version of yourself, to varying degrees. Some folks do a full-on character, so that's different. But most comics do some version of themselves.
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Listening to your own sets and listening to the audience as you perform. It's a conversation of sorts. There is an exchange.
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