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Comics can definitely be subversive on the whole, but it's a stylistic thing.

Ted Alexandro

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Ted Alexandro
Age: 55
Born: 1969
Born: January 26
Comedian
Bellerose
Queens
Subversive
Comics
Definitely
Whole
Thing
Stylistic

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Dave Chappelle is about as gifted as it gets, as a performer and comedian. [...] It's always great to watch him work. He started around fourteen and he's in his forties now, so he's probably been doing it for close to thirty years. He's brilliant.
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I often think about my future wife and how lax she's been about getting in touch with me.
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In terms of my own work ethic, I've always been a determined person. When I'm focused on something, I try to see it through.
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It's a constant process of bouncing ideas off of one another and intuitively arriving at the right decision in the moment.
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Hard work is a muscle that you develop, as is taking risks.
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I learned so many things from Louis C.K., but the most impactful thing was witnessing his work ethic. He works harder than anyone I've ever been around in comedy. And he takes risks and doesn't dwell on what might be perceived as failures.
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I belong to a gym now... well, let me rephrase that: I don't belong there at all, but I go.
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Comedy takes all of life and puts it through a lens of acceptance, just by the mere act of talking about it on stage in a communal setting. It's very primal and ritualistic in that sense.
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Laughing at something is a form of accepting it or at list making peace with it.
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I also do a certain amount of talking through material on stage, to see what happens and allow interesting ideas to manifest.
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Comedians have varying levels of training. It can range from classically trained actors (like Robin Williams) to people who took comedy classes to folks who just started doing it. That's the beauty of comedy: it's close to a pure meritocracy.
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Sometimes crowds start out not liking someone but then they shift and love them. Or vice versa. It can shift on a dime.
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I wasn't in the drama department, but I auditioned anyway and he not only cast me but also included a few sketches that I wrote, which really sparked my pursuit of comedy.
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Listening to your own sets and listening to the audience as you perform. It's a conversation of sorts. There is an exchange.
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With a project like 'Teachers Lounge,' you're wearing a lot of hats, so it demands hard work and focus if you want to do it right.
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Like once we picked Jim Norton as the head of security, the writing flows pretty easily.
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Ultimately, an audience wants to laugh. That's who they like, the comedian who makes them laugh.
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People don't come to a comedy club simply to hear someone's thoughts, no matter how profound.
Ted Alexandro
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Your stage persona is usually a version of yourself, to varying degrees. Some folks do a full-on character, so that's different. But most comics do some version of themselves.
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Comedy clubs are arguably one of the last bastions of uncensored, public free speech.
Ted Alexandro