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Sometimes crowds start out not liking someone but then they shift and love them. Or vice versa. It can shift on a dime.

Ted Alexandro

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Ted Alexandro
Age: 55
Born: 1969
Born: January 26
Comedian
Bellerose
Queens
Love
Liking
Shift
Vice
Crowds
Vices
Start
Dime
Someone
Dimes
Sometimes
Versa

More quotes by Ted Alexandro

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Ultimately, an audience wants to laugh. That's who they like, the comedian who makes them laugh.
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Comedy takes all of life and puts it through a lens of acceptance, just by the mere act of talking about it on stage in a communal setting. It's very primal and ritualistic in that sense.
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I learned so many things from Louis C.K., but the most impactful thing was witnessing his work ethic. He works harder than anyone I've ever been around in comedy. And he takes risks and doesn't dwell on what might be perceived as failures.
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Listening to your own sets and listening to the audience as you perform. It's a conversation of sorts. There is an exchange.
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Dave Chappelle is about as gifted as it gets, as a performer and comedian. [...] It's always great to watch him work. He started around fourteen and he's in his forties now, so he's probably been doing it for close to thirty years. He's brilliant.
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Your stage persona is usually a version of yourself, to varying degrees. Some folks do a full-on character, so that's different. But most comics do some version of themselves.
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I'm just looking for a little mystery in life... like things you can't explain. Like, you go to Mexico, they tell you don't drink the water. You go to any diner here, who brings you the water? It's a mystery.
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Like once we picked Jim Norton as the head of security, the writing flows pretty easily.
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Comedians are thinkers. The best ones are akin to philosophers, in my opinion.
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I often think about my future wife and how lax she's been about getting in touch with me.
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I wasn't in the drama department, but I auditioned anyway and he not only cast me but also included a few sketches that I wrote, which really sparked my pursuit of comedy.
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A crowd is the only way to know if something works. Telling a friend or two doesn't matter. A crowd is what tells you what works or doesn't, so I'd rather go in front of them cold and see.
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I think comedy is no different now than it was at other points. It takes a long time to get good and know how to distill what makes you funny beyond the realm of standup, which is what I'm trying to do with 'Teachers Lounge.'
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Comedy clubs are arguably one of the last bastions of uncensored, public free speech.
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A person riding a unicycle on a tightrope doesn't worry about being likeable they're doing something amazing that very few people can do.
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With a project like 'Teachers Lounge,' you're wearing a lot of hats, so it demands hard work and focus if you want to do it right.
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Comics can definitely be subversive on the whole, but it's a stylistic thing.
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Inherent in mourning is celebration. Mourning without celebration or some form of acceptance leaves you stuck.
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I also do a certain amount of talking through material on stage, to see what happens and allow interesting ideas to manifest.
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Laughing at something is a form of accepting it or at list making peace with it.
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