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Comedy clubs are arguably one of the last bastions of uncensored, public free speech.

Ted Alexandro

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Ted Alexandro
Age: 55
Born: 1969
Born: January 26
Comedian
Bellerose
Queens
Speech
Comedy
Public
Lasts
Last
Bastions
Free
Uncensored
Arguably
Clubs

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I belong to a gym now... well, let me rephrase that: I don't belong there at all, but I go.
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I learned so many things from Louis C.K., but the most impactful thing was witnessing his work ethic. He works harder than anyone I've ever been around in comedy. And he takes risks and doesn't dwell on what might be perceived as failures.
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Your stage persona is usually a version of yourself, to varying degrees. Some folks do a full-on character, so that's different. But most comics do some version of themselves.
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In terms of my own work ethic, I've always been a determined person. When I'm focused on something, I try to see it through.
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With a project like 'Teachers Lounge,' you're wearing a lot of hats, so it demands hard work and focus if you want to do it right.
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I'm just looking for a little mystery in life... like things you can't explain. Like, you go to Mexico, they tell you don't drink the water. You go to any diner here, who brings you the water? It's a mystery.
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Comedians are thinkers. The best ones are akin to philosophers, in my opinion.
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I wasn't in the drama department, but I auditioned anyway and he not only cast me but also included a few sketches that I wrote, which really sparked my pursuit of comedy.
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Ultimately, an audience wants to laugh. That's who they like, the comedian who makes them laugh.
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People don't come to a comedy club simply to hear someone's thoughts, no matter how profound.
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I think comedy is no different now than it was at other points. It takes a long time to get good and know how to distill what makes you funny beyond the realm of standup, which is what I'm trying to do with 'Teachers Lounge.'
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Inherent in mourning is celebration. Mourning without celebration or some form of acceptance leaves you stuck.
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Like once we picked Jim Norton as the head of security, the writing flows pretty easily.
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Dave Chappelle is about as gifted as it gets, as a performer and comedian. [...] It's always great to watch him work. He started around fourteen and he's in his forties now, so he's probably been doing it for close to thirty years. He's brilliant.
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Laughing at something is a form of accepting it or at list making peace with it.
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Comics can definitely be subversive on the whole, but it's a stylistic thing.
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Listening to your own sets and listening to the audience as you perform. It's a conversation of sorts. There is an exchange.
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I also do a certain amount of talking through material on stage, to see what happens and allow interesting ideas to manifest.
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A crowd is the only way to know if something works. Telling a friend or two doesn't matter. A crowd is what tells you what works or doesn't, so I'd rather go in front of them cold and see.
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It's a constant process of bouncing ideas off of one another and intuitively arriving at the right decision in the moment.
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