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But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.

Taylor Hackford

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Taylor Hackford
Age: 79
Born: 1944
Born: December 31
Film Director
Film Producer
Screenwriter
Trade Unionist
Santa Barbara
California
Taylor Edwin Hackford
Treatment
Creates
Recognition
Areas
Deserve
Selfless
Special
Affirmation
Sense
Talented
Sometimes
Unfortunately

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It's very clearly stated in the film: You make your own choices, and what you're always fighting is ego.
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My creative partner is a writer, and he's got an executive producing credit on this film. We've made three films together and I would never underestimate the impact of a writer.
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I make films about working class people. All my films have always been about that. For example, the brothel is a workplace. It's aberrant, but a workplace nonetheless. I was more interested as opposed to glamorizing and saying, oh, this is a great erotic place, it's a place of business. The commodity is sex.
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The whole concept of the devil is a metaphor on one level.
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I'm not in front of the camera, they are. I encourage them I build up as much of their confidence and ego as possible. They've got to take control I can't act it out.
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The director's job should give you a sense of music without drawing attention to itself.
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I really believe you can predict when someone has a great attitude, a real well of talent.
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This devil loves mankind because men are going to always make the choice that will send him into ascendancy. He's been winning the game for a long time.
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As a filmmaker, no is not in my vocabulary. I've got to figure out a way.
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Well I don't think I've scored my life exclusively to Ray Charles.
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It's much easier to work with an unknown.
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It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
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The score is always the wonderful icing. The score tells you the emotional content of the film. What the characters don't say, the music can say.
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I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.
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I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
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An actor has to embody a role.
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Russell Crowe is very difficult, but it's worth it. He's the real thing. I can tell you this. Russell Crowe was just as difficult before he was an international star as he was afterwards.
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When Ray Charles is concentrating he's like a piece of granite, nothing twitches, nothing, ... He sat for 25 minutes solid like that, like a stone, and I thought, 'Oh my God, if he doesn't like it I'm dead.' ... And then finally, after 25 minutes he started to talk back to the screen. I heard him say 'That's right. That's the truth.' .
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Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.
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I try to get the best performance an actor can give.
Taylor Hackford