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But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.

Taylor Hackford

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Taylor Hackford
Age: 79
Born: 1944
Born: December 31
Film Director
Film Producer
Screenwriter
Trade Unionist
Santa Barbara
California
Taylor Edwin Hackford
Recognition
Areas
Deserve
Selfless
Special
Affirmation
Sense
Talented
Sometimes
Unfortunately
Treatment
Creates

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This devil loves mankind because men are going to always make the choice that will send him into ascendancy. He's been winning the game for a long time.
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It was the era of Tab Hunter and Rock Hudson they all had a certain look.
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My creative partner is a writer, and he's got an executive producing credit on this film. We've made three films together and I would never underestimate the impact of a writer.
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I really believe you can predict when someone has a great attitude, a real well of talent.
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An actor has to embody a role.
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It's much easier to work with an unknown.
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Well I don't think I've scored my life exclusively to Ray Charles.
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Because when you have millions of people with this kind of need for gratification, and the culture is saying that it's possible for everyone to satisfy all of their needs and desires all of the time, there are obviously going to be clashes - clashes of ego.
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The whole concept of the devil is a metaphor on one level.
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The director's job should give you a sense of music without drawing attention to itself.
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I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
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Russell Crowe is very difficult, but it's worth it. He's the real thing. I can tell you this. Russell Crowe was just as difficult before he was an international star as he was afterwards.
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I try to get the best performance an actor can give.
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We all get paid very, very well, and we have responsibilities.
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I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.
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I'm not in front of the camera, they are. I encourage them I build up as much of their confidence and ego as possible. They've got to take control I can't act it out.
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When I finish a film, I put it away and I never look at it again.
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The score is always the wonderful icing. The score tells you the emotional content of the film. What the characters don't say, the music can say.
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When Ray Charles is concentrating he's like a piece of granite, nothing twitches, nothing, ... He sat for 25 minutes solid like that, like a stone, and I thought, 'Oh my God, if he doesn't like it I'm dead.' ... And then finally, after 25 minutes he started to talk back to the screen. I heard him say 'That's right. That's the truth.' .
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It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
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