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It's very clearly stated in the film: You make your own choices, and what you're always fighting is ego.

Taylor Hackford

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Taylor Hackford
Age: 79
Born: 1944
Born: December 31
Film Director
Film Producer
Screenwriter
Trade Unionist
Santa Barbara
California
Taylor Edwin Hackford
Fighting
Film
Make
Always
Stated
Ego
Clearly
Choices

More quotes by Taylor Hackford

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But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.
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The score is always the wonderful icing. The score tells you the emotional content of the film. What the characters don't say, the music can say.
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Russell Crowe is very difficult, but it's worth it. He's the real thing. I can tell you this. Russell Crowe was just as difficult before he was an international star as he was afterwards.
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As a filmmaker, no is not in my vocabulary. I've got to figure out a way.
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It's much easier to work with an unknown.
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It was the era of Tab Hunter and Rock Hudson they all had a certain look.
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I'm not in front of the camera, they are. I encourage them I build up as much of their confidence and ego as possible. They've got to take control I can't act it out.
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When I finish a film, I put it away and I never look at it again.
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It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
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I really believe you can predict when someone has a great attitude, a real well of talent.
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Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.
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The SAS is the most elite of the special forces in the world. They are not people who go out and advertise they keep it inside. They don't want anybody to know about them.
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I make films about working class people. All my films have always been about that. For example, the brothel is a workplace. It's aberrant, but a workplace nonetheless. I was more interested as opposed to glamorizing and saying, oh, this is a great erotic place, it's a place of business. The commodity is sex.
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I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
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I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.
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The director's job should give you a sense of music without drawing attention to itself.
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I try to get the best performance an actor can give.
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I make films about working class people.
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My creative partner is a writer, and he's got an executive producing credit on this film. We've made three films together and I would never underestimate the impact of a writer.
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The whole concept of the devil is a metaphor on one level.
Taylor Hackford