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You don't have to like your family, you don't even have to spend time with them, to know them right down to the bone.

Tana French

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Tana French
Age: 51
Born: 1973
Born: May 10
Actor
Novelist
Stage Actor
Writer
Burlington
Vermont
Bone
Bones
Spend
Family
Right
Even
Time
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But give me more credit than that. Someone else may have dealt the hand, but I picked it up off the table, I played every card, and I had my reasons.
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When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
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My memories of them had rubbed thin with overuse, worn to frail color transparencies flickering on the walls of my mind...
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I had been right: freedom smelled like ozone and thunderstorms and gunpowder all at once, like snow and bonfires and cut grass, it tasted like seawater and oranges.
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I wasn't sure I could make it through another hour of his company without throwing my stapler at his head.
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Sometimes, when you're close to someone, you miss things. Other people can see them, but you can't.
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Over time, the ghosts of things that happened start to turn distant once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.
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Take what you want and pay for it, says God. You can have anything you want, as long as you accept that there is a price and you will have to pay it.
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I came from a house full of books, so I took reading for granted. I was an outdoorsy little kid, too, so I got the best of both worlds by taking books up trees and reading there.
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Most people are only too delighted to wreck each other's heads. And for the tiny minority who do their pathetic best not to, this world is going to go right ahead and make sure they do it anyway.
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Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK.
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One of my da's tragedies was always the fact that he was bright enough to understand just how comprehensively he had shat all over his life.
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I weaned myself on the nostalgia equivalent of methadone (less addictive, less obvious, less likely to make you crazy): missing what I had never had.
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When we can't see a pattern, we fit pieces together until one takes shape, because we have to.
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For a moment, I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars, and I knew, beyond any doubt, that everything was going to be alright.
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Don't get discouraged if you're hammering away at a sentence or a paragraph or a chapter, and it keeps coming out wrong. You're allowed to get it wrong, as many times as you need to you only need to get it right once.
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I like writing about big turning points, where professional and personal lives coalesce, where the boundaries are coming down, and you're faced with a set of choices which will change life forever.
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I am not good at noticing when I'm happy, except in retrospect.
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Don't you ever feel that - that you just need to get away? From everything? That it's all too much?
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If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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