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Here's a little tip for you. If you don't like being called a murderer, don't kill people.

Tana French

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Tana French
Age: 51
Born: 1973
Born: May 10
Actor
Novelist
Stage Actor
Writer
Burlington
Vermont
Like
People
Murderer
Kill
Called
Littles
Little

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Don't get discouraged if you're hammering away at a sentence or a paragraph or a chapter, and it keeps coming out wrong. You're allowed to get it wrong, as many times as you need to you only need to get it right once.
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We think of mortality so little these days... I thought of the stern Victorian determination to keep death in mind, the uncompromising tombstones. Remember, pilgrim, as you pass by, As you are now so once was I: As I am so will you be.
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You don't have to like your family, you don't even have to spend time with them, to know them right down to the bone.
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I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving that some people, for whatever reason, never learn the knack
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My memories of them had rubbed thin with overuse, worn to frail color transparencies flickering on the walls of my mind...
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Don't you ever feel that - that you just need to get away? From everything? That it's all too much?
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When we can't see a pattern, we fit pieces together until one takes shape, because we have to.
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I had been right: freedom smelled like ozone and thunderstorms and gunpowder all at once, like snow and bonfires and cut grass, it tasted like seawater and oranges.
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I wasn't sure I could make it through another hour of his company without throwing my stapler at his head.
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Being easily freaked out comes with its own special skill set: you develop subtle tricks to work around it, make sure people don't notice. Pretty soon, if you're a fast learner, you can get through the day looking almost exactly like a normal human being.
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I can't explain the alchemy that transmuted one evening into the equivalent of years held lightly in common. The only way I can put it is that we recognized, too surely even for surprise, that we shared the same currency.
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Sometimes, when you're close to someone, you miss things. Other people can see them, but you can't.
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For a moment, I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars, and I knew, beyond any doubt, that everything was going to be alright.
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If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK.
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Over time, the ghosts of things that happened start to turn distant once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.
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I am not good at noticing when I'm happy, except in retrospect.
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I had always felt that I was an observer, never a participant that I was watching from behind a thick glass wall as people went about the business of living--and did it with such ease, with a skill that they took for granted and that I had never known.
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When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
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But give me more credit than that. Someone else may have dealt the hand, but I picked it up off the table, I played every card, and I had my reasons.
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