Quote

Regardless of the advertising campaigns may tell us, we can't have it all. Sacrifice is not an option, or an anachronism it's a fact of life. We all cut off our own limbs to burn on some altar. The crucial thing is to choose an altar that's worth it and a limb you can accept losing. To go consenting to the sacrifice.

Tana French

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Tana French
Age: 51
Born: 1973
Born: May 10
Actor
Novelist
Stage Actor
Writer
Burlington
Vermont
Fact
Advertising
Altar
Facts
Sacrifice
Altars
Tell
Accept
Limbs
May
Losing
Option
Thing
Cutting
Regardless
Life
Choose
Burn
Consenting
Worth
Crucial
Anachronism
Accepting
Campaigns
Limb

More quotes by Tana French

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If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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I don't do that kind of negativity. If you put your energy into thinking about how much the fall would hurt, you're already halfway down.
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We think of mortality so little these days... I thought of the stern Victorian determination to keep death in mind, the uncompromising tombstones. Remember, pilgrim, as you pass by, As you are now so once was I: As I am so will you be.
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Time works so hard for us, if only we can let it.
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Being easily freaked out comes with its own special skill set: you develop subtle tricks to work around it, make sure people don't notice. Pretty soon, if you're a fast learner, you can get through the day looking almost exactly like a normal human being.
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Here's a little tip for you. If you don't like being called a murderer, don't kill people.
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Take what you want and pay for it, says God. You can have anything you want, as long as you accept that there is a price and you will have to pay it.
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I had always felt that I was an observer, never a participant that I was watching from behind a thick glass wall as people went about the business of living--and did it with such ease, with a skill that they took for granted and that I had never known.
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When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
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I came from a house full of books, so I took reading for granted. I was an outdoorsy little kid, too, so I got the best of both worlds by taking books up trees and reading there.
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When you're too close to people, when you spend too much time with them and love them too dearly, sometimes you can't see them
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I am not good at noticing when I'm happy, except in retrospect.
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I weaned myself on the nostalgia equivalent of methadone (less addictive, less obvious, less likely to make you crazy): missing what I had never had.
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You don't have to like your family, you don't even have to spend time with them, to know them right down to the bone.
Tana French
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But give me more credit than that. Someone else may have dealt the hand, but I picked it up off the table, I played every card, and I had my reasons.
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Sometimes, when you're close to someone, you miss things. Other people can see them, but you can't.
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I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving that some people, for whatever reason, never learn the knack
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When we can't see a pattern, we fit pieces together until one takes shape, because we have to.
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Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK.
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Over time, the ghosts of things that happened start to turn distant once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.
Tana French