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I weaned myself on the nostalgia equivalent of methadone (less addictive, less obvious, less likely to make you crazy): missing what I had never had.
Tana French
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Tana French
Age: 51
Born: 1973
Born: May 10
Actor
Novelist
Stage Actor
Writer
Burlington
Vermont
Nostalgia
Likely
Obvious
Missing
Crazy
Methadone
Less
Weaned
Make
Addictive
Never
Equivalent
More quotes by Tana French
Sometimes, when you're close to someone, you miss things. Other people can see them, but you can't.
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I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving that some people, for whatever reason, never learn the knack
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For a moment, I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars, and I knew, beyond any doubt, that everything was going to be alright.
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I like writing about big turning points, where professional and personal lives coalesce, where the boundaries are coming down, and you're faced with a set of choices which will change life forever.
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I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.
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If you rewrite a paragraph fifty times and forty-nine of them are terrible, that's fine you only need to get it right once.
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When we can't see a pattern, we fit pieces together until one takes shape, because we have to.
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Here's a little tip for you. If you don't like being called a murderer, don't kill people.
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My memories of them had rubbed thin with overuse, worn to frail color transparencies flickering on the walls of my mind...
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Time works so hard for us, if only we can let it.
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Take what you want and pay for it, says God. You can have anything you want, as long as you accept that there is a price and you will have to pay it.
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I don't do that kind of negativity. If you put your energy into thinking about how much the fall would hurt, you're already halfway down.
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I had always felt that I was an observer, never a participant that I was watching from behind a thick glass wall as people went about the business of living--and did it with such ease, with a skill that they took for granted and that I had never known.
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I wasn't sure I could make it through another hour of his company without throwing my stapler at his head.
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I can't explain the alchemy that transmuted one evening into the equivalent of years held lightly in common. The only way I can put it is that we recognized, too surely even for surprise, that we shared the same currency.
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Don't you ever feel that - that you just need to get away? From everything? That it's all too much?
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Being easily freaked out comes with its own special skill set: you develop subtle tricks to work around it, make sure people don't notice. Pretty soon, if you're a fast learner, you can get through the day looking almost exactly like a normal human being.
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Over time, the ghosts of things that happened start to turn distant once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.
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If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
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