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My memories of them had rubbed thin with overuse, worn to frail color transparencies flickering on the walls of my mind...

Tana French

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Tana French
Age: 51
Born: 1973
Born: May 10
Actor
Novelist
Stage Actor
Writer
Burlington
Vermont
Transparency
Thin
Worn
Walls
Transparencies
Wall
Overuse
Color
Flickering
Memories
Rubbed
Mind
Frail

More quotes by Tana French

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Over time, the ghosts of things that happened start to turn distant once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.
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I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.
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Don't get discouraged if you're hammering away at a sentence or a paragraph or a chapter, and it keeps coming out wrong. You're allowed to get it wrong, as many times as you need to you only need to get it right once.
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Most people are only too delighted to wreck each other's heads. And for the tiny minority who do their pathetic best not to, this world is going to go right ahead and make sure they do it anyway.
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Only teenagers think boring is bad. Adults, grown men and women who've been around the block a few times, know that boring is a gift straight from God. Life has more than enough excitement up its sleeve, ready to hit you with as soon as you're not looking, without you adding to the drama.
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I wasn't sure I could make it through another hour of his company without throwing my stapler at his head.
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If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
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I like writing about big turning points, where professional and personal lives coalesce, where the boundaries are coming down, and you're faced with a set of choices which will change life forever.
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Time works so hard for us, if only we can let it.
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I weaned myself on the nostalgia equivalent of methadone (less addictive, less obvious, less likely to make you crazy): missing what I had never had.
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You don't have to like your family, you don't even have to spend time with them, to know them right down to the bone.
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Sometimes, when you're close to someone, you miss things. Other people can see them, but you can't.
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Here's a little tip for you. If you don't like being called a murderer, don't kill people.
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If you rewrite a paragraph fifty times and forty-nine of them are terrible, that's fine you only need to get it right once.
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Regardless of the advertising campaigns may tell us, we can't have it all. Sacrifice is not an option, or an anachronism it's a fact of life. We all cut off our own limbs to burn on some altar. The crucial thing is to choose an altar that's worth it and a limb you can accept losing. To go consenting to the sacrifice.
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Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK.
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Don't you ever feel that - that you just need to get away? From everything? That it's all too much?
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For a moment, I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars, and I knew, beyond any doubt, that everything was going to be alright.
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When we can't see a pattern, we fit pieces together until one takes shape, because we have to.
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