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I am not good at noticing when I'm happy, except in retrospect.

Tana French

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Tana French
Age: 51
Born: 1973
Born: May 10
Actor
Novelist
Stage Actor
Writer
Burlington
Vermont
Noticing
Except
Happy
Good
Retrospect

More quotes by Tana French

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I weaned myself on the nostalgia equivalent of methadone (less addictive, less obvious, less likely to make you crazy): missing what I had never had.
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You don't have to like your family, you don't even have to spend time with them, to know them right down to the bone.
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Take what you want and pay for it, says God. You can have anything you want, as long as you accept that there is a price and you will have to pay it.
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I came from a house full of books, so I took reading for granted. I was an outdoorsy little kid, too, so I got the best of both worlds by taking books up trees and reading there.
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I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.
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One of my da's tragedies was always the fact that he was bright enough to understand just how comprehensively he had shat all over his life.
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Most people are only too delighted to wreck each other's heads. And for the tiny minority who do their pathetic best not to, this world is going to go right ahead and make sure they do it anyway.
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Don't get discouraged if you're hammering away at a sentence or a paragraph or a chapter, and it keeps coming out wrong. You're allowed to get it wrong, as many times as you need to you only need to get it right once.
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My memories of them had rubbed thin with overuse, worn to frail color transparencies flickering on the walls of my mind...
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But give me more credit than that. Someone else may have dealt the hand, but I picked it up off the table, I played every card, and I had my reasons.
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I don't do that kind of negativity. If you put your energy into thinking about how much the fall would hurt, you're already halfway down.
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When we can't see a pattern, we fit pieces together until one takes shape, because we have to.
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I like writing about big turning points, where professional and personal lives coalesce, where the boundaries are coming down, and you're faced with a set of choices which will change life forever.
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When you're too close to people, when you spend too much time with them and love them too dearly, sometimes you can't see them
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For a moment, I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars, and I knew, beyond any doubt, that everything was going to be alright.
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When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
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If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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Being easily freaked out comes with its own special skill set: you develop subtle tricks to work around it, make sure people don't notice. Pretty soon, if you're a fast learner, you can get through the day looking almost exactly like a normal human being.
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Regardless of the advertising campaigns may tell us, we can't have it all. Sacrifice is not an option, or an anachronism it's a fact of life. We all cut off our own limbs to burn on some altar. The crucial thing is to choose an altar that's worth it and a limb you can accept losing. To go consenting to the sacrifice.
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We think of mortality so little these days... I thought of the stern Victorian determination to keep death in mind, the uncompromising tombstones. Remember, pilgrim, as you pass by, As you are now so once was I: As I am so will you be.
Tana French