Quote

I can't explain the alchemy that transmuted one evening into the equivalent of years held lightly in common. The only way I can put it is that we recognized, too surely even for surprise, that we shared the same currency.

Tana French

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Tana French
Age: 51
Born: 1973
Born: May 10
Actor
Novelist
Stage Actor
Writer
Burlington
Vermont
Surprise
Equivalent
Common
Currency
Even
Recognized
Years
Shared
Way
Surely
Explain
Transmuted
Evening
Alchemy
Held
Lightly

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I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving that some people, for whatever reason, never learn the knack
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I had always felt that I was an observer, never a participant that I was watching from behind a thick glass wall as people went about the business of living--and did it with such ease, with a skill that they took for granted and that I had never known.
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One of my da's tragedies was always the fact that he was bright enough to understand just how comprehensively he had shat all over his life.
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When you're too close to people, when you spend too much time with them and love them too dearly, sometimes you can't see them
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Time works so hard for us, if only we can let it.
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I don't do that kind of negativity. If you put your energy into thinking about how much the fall would hurt, you're already halfway down.
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Here's a little tip for you. If you don't like being called a murderer, don't kill people.
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I had been right: freedom smelled like ozone and thunderstorms and gunpowder all at once, like snow and bonfires and cut grass, it tasted like seawater and oranges.
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Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK.
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If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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We think of mortality so little these days... I thought of the stern Victorian determination to keep death in mind, the uncompromising tombstones. Remember, pilgrim, as you pass by, As you are now so once was I: As I am so will you be.
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You don't have to like your family, you don't even have to spend time with them, to know them right down to the bone.
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But give me more credit than that. Someone else may have dealt the hand, but I picked it up off the table, I played every card, and I had my reasons.
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When we can't see a pattern, we fit pieces together until one takes shape, because we have to.
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When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
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If you rewrite a paragraph fifty times and forty-nine of them are terrible, that's fine you only need to get it right once.
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Don't get discouraged if you're hammering away at a sentence or a paragraph or a chapter, and it keeps coming out wrong. You're allowed to get it wrong, as many times as you need to you only need to get it right once.
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I wasn't sure I could make it through another hour of his company without throwing my stapler at his head.
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My memories of them had rubbed thin with overuse, worn to frail color transparencies flickering on the walls of my mind...
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I weaned myself on the nostalgia equivalent of methadone (less addictive, less obvious, less likely to make you crazy): missing what I had never had.
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