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I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.

Tana French

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Tana French
Age: 51
Born: 1973
Born: May 10
Actor
Novelist
Stage Actor
Writer
Burlington
Vermont
Anything
Early
Lethal
Find
Couldn
Planting
Heart
Darkness
Wary
Something
Learned
Bewildered
Way
Loved
Responded
Knew
Assume
Dark
Hidden
Fear
Assuming

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I had been right: freedom smelled like ozone and thunderstorms and gunpowder all at once, like snow and bonfires and cut grass, it tasted like seawater and oranges.
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My memories of them had rubbed thin with overuse, worn to frail color transparencies flickering on the walls of my mind...
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Here's a little tip for you. If you don't like being called a murderer, don't kill people.
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For a moment, I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars, and I knew, beyond any doubt, that everything was going to be alright.
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Regardless of the advertising campaigns may tell us, we can't have it all. Sacrifice is not an option, or an anachronism it's a fact of life. We all cut off our own limbs to burn on some altar. The crucial thing is to choose an altar that's worth it and a limb you can accept losing. To go consenting to the sacrifice.
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Over time, the ghosts of things that happened start to turn distant once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.
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Take what you want and pay for it, says God. You can have anything you want, as long as you accept that there is a price and you will have to pay it.
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I can't explain the alchemy that transmuted one evening into the equivalent of years held lightly in common. The only way I can put it is that we recognized, too surely even for surprise, that we shared the same currency.
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If you rewrite a paragraph fifty times and forty-nine of them are terrible, that's fine you only need to get it right once.
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I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving that some people, for whatever reason, never learn the knack
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But give me more credit than that. Someone else may have dealt the hand, but I picked it up off the table, I played every card, and I had my reasons.
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If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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One of my da's tragedies was always the fact that he was bright enough to understand just how comprehensively he had shat all over his life.
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Being easily freaked out comes with its own special skill set: you develop subtle tricks to work around it, make sure people don't notice. Pretty soon, if you're a fast learner, you can get through the day looking almost exactly like a normal human being.
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I came from a house full of books, so I took reading for granted. I was an outdoorsy little kid, too, so I got the best of both worlds by taking books up trees and reading there.
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Don't get discouraged if you're hammering away at a sentence or a paragraph or a chapter, and it keeps coming out wrong. You're allowed to get it wrong, as many times as you need to you only need to get it right once.
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Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK.
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Don't you ever feel that - that you just need to get away? From everything? That it's all too much?
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When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
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Sometimes, when you're close to someone, you miss things. Other people can see them, but you can't.
Tana French