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I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.
Tana French
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Tana French
Age: 51
Born: 1973
Born: May 10
Actor
Novelist
Stage Actor
Writer
Burlington
Vermont
Way
Loved
Responded
Knew
Assume
Dark
Hidden
Fear
Assuming
Anything
Early
Lethal
Find
Couldn
Planting
Heart
Darkness
Wary
Something
Learned
Bewildered
More quotes by Tana French
My memories of them had rubbed thin with overuse, worn to frail color transparencies flickering on the walls of my mind...
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When you're too close to people, when you spend too much time with them and love them too dearly, sometimes you can't see them
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I wasn't sure I could make it through another hour of his company without throwing my stapler at his head.
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You don't have to like your family, you don't even have to spend time with them, to know them right down to the bone.
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We think of mortality so little these days... I thought of the stern Victorian determination to keep death in mind, the uncompromising tombstones. Remember, pilgrim, as you pass by, As you are now so once was I: As I am so will you be.
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When we can't see a pattern, we fit pieces together until one takes shape, because we have to.
Tana French
Only teenagers think boring is bad. Adults, grown men and women who've been around the block a few times, know that boring is a gift straight from God. Life has more than enough excitement up its sleeve, ready to hit you with as soon as you're not looking, without you adding to the drama.
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I had always felt that I was an observer, never a participant that I was watching from behind a thick glass wall as people went about the business of living--and did it with such ease, with a skill that they took for granted and that I had never known.
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Don't get discouraged if you're hammering away at a sentence or a paragraph or a chapter, and it keeps coming out wrong. You're allowed to get it wrong, as many times as you need to you only need to get it right once.
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Over time, the ghosts of things that happened start to turn distant once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.
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Most people are only too delighted to wreck each other's heads. And for the tiny minority who do their pathetic best not to, this world is going to go right ahead and make sure they do it anyway.
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One of my da's tragedies was always the fact that he was bright enough to understand just how comprehensively he had shat all over his life.
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If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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I had been right: freedom smelled like ozone and thunderstorms and gunpowder all at once, like snow and bonfires and cut grass, it tasted like seawater and oranges.
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I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving that some people, for whatever reason, never learn the knack
Tana French
Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK.
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Take what you want and pay for it, says God. You can have anything you want, as long as you accept that there is a price and you will have to pay it.
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If you rewrite a paragraph fifty times and forty-nine of them are terrible, that's fine you only need to get it right once.
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Being easily freaked out comes with its own special skill set: you develop subtle tricks to work around it, make sure people don't notice. Pretty soon, if you're a fast learner, you can get through the day looking almost exactly like a normal human being.
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When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
Tana French