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I think people are into me because of my music choices and my musicality.

Talib Kweli

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Talib Kweli
Age: 49
Born: 1975
Born: October 3
Musician
Poet
Rapper
Singer
Songwriter
Brooklyn
New York
Talib Kweli Greene
Think
Thinking
People
Musicality
Choices
Music

More quotes by Talib Kweli

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But Rawkus is integral to what I do, because the cats who started Rawkus are the first ones who really saw my vision, and gave me a platform to get it out there, so I'm definitely totally grateful for that.
Talib Kweli
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I just got a new manager. He's like, So what do you want to do with the deejay thing? I'm like, The deejay thing for me is more my hobby. It's great when you can supplement your income, when you have a weekly or something, it's fun. It's really a hobby, because I don't want it to take away from what I do, which is emceeing.
Talib Kweli
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I look at the deejay thing as something - I'm good at it because I have my own music. I have enough rhythm to blend at this point.
Talib Kweli
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I tour whether I have album out or not. I tour more than any other hip-hop artist.
Talib Kweli
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By the time you get into other kinds of music - R&B, country, or whatever - it becomes something that's romantic. It becomes something unattainable. Never-ending undying love. And in hip hop, we're still taking direct inspiration.
Talib Kweli
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
Talib Kweli
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A true artist does not depend on radio for success. A true fan does not let radio determine what they support
Talib Kweli
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Hip-hop is a vehicle.
Talib Kweli
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Skip the religion and politics, head straight to the compassion. Everything else is a distraction.
Talib Kweli
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Life is a beautiful struggle.
Talib Kweli
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There are staples to my show. I have to be conscious about switching things up because I know people who saw me last year will say, 'He did that last time.' But if certain things work, they work.
Talib Kweli
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Unfortunately hip-hop is so competitive that in order for fringe groups to get in, you gotta be better than whoever's the best. So before Eminem, the idea that there would be a white rapper that anybody would really check for was fantastic or amazing or impossible.
Talib Kweli
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I think once you're in the public eye, whether you're a boss, a teacher or whatever you do, that you're automatically in the position of role model. You have people looking up to you, so whether you choose to accept it or not is a different question.
Talib Kweli
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I look at the deejay thing as a tier thing. If I'm not going to compete on that level, I'm just going to do it as a hobby.
Talib Kweli
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I have such respect for the art of deejaying. I hesitate to even call myself a deejay.
Talib Kweli
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What is Norah Jones' style? Is it just the albums that we've heard? She has a rock group where she plays guitar in, downtown in New York, so do we really know her style?
Talib Kweli
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The materialism, the brashness, the misogyny - everything in hip-hop is amplified. Misogyny is a good example of something that is completely amplified in hip-hop. I do think there is more than enough of a balance, though, for fans who are willing to search it out.
Talib Kweli
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Hip hop has always been, for us, for artists who are pure to the craft - any place overseas, whether it's Australia, any place in Asia, Germany, Africa, it becomes something where you can still go and work. Hip hop is an import culture. We're spoiled by it here. It's homegrown.
Talib Kweli
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I'm not an artist that has a big, huge radio record that's going to be on BET. I'm not, at this point, gunning for like, Oh, I'm gonna kill them in the first week. But as people slowly discover the album they realize it's better than a lot of what they've been listening to all year.
Talib Kweli
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I support the idea that artists have to make a stand. I'm with that - you're putting the discussion on the table and you're letting people know. You're being brave as an artist and responsible to the community.
Talib Kweli