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I have such respect for the art of deejaying. I hesitate to even call myself a deejay.

Talib Kweli

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Talib Kweli
Age: 49
Born: 1975
Born: October 3
Musician
Poet
Rapper
Singer
Songwriter
Brooklyn
New York
Talib Kweli Greene
Call
Art
Even
Deejay
Deejays
Hesitate
Respect

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The problem with our role is Americans live in a world of illusion.
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Who you? Your name smaller than fine grains in couscous It's the highest calibre, your calibre is deuce deuce
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Hip-hop isn't as complex as a woman is.
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But there's so many things in life like women, like children, like God and family that transcends the world of hip-hop.
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If you go to a college campus and you do stop and frisk, you're going to find a lot of drugs there too.
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Let me finish my music, and let me present it the way I want to present it. And then share it, put it online, do whatever you want to do after that.
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Hip hop has always been, for us, for artists who are pure to the craft - any place overseas, whether it's Australia, any place in Asia, Germany, Africa, it becomes something where you can still go and work. Hip hop is an import culture. We're spoiled by it here. It's homegrown.
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I look at the deejay thing as a tier thing. If I'm not going to compete on that level, I'm just going to do it as a hobby.
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I support the idea that artists have to make a stand. I'm with that - you're putting the discussion on the table and you're letting people know. You're being brave as an artist and responsible to the community.
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I was kind of just too lazy to take my money out of the bank until I saw how Citi Bank responded to Occupy Wall Street.
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And you know, art as commerce, doesn't really make too much sense, they don't go together.
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Life is a beautiful struggle.
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When I look at the arc of my career, my focus is on lyricism, right? I own that.
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With Prisoner of Conscience, the focus was - I've worked with Madlib, High Tech, Kanye West, J Dilla. I feel like I've worked with some of the greatest of all time. That's been overlooked. That's been overshadowed by the weight of the lyrics.
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Hip-hop is a vehicle.
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I have enough rhythm to blend at this point. I have enough rhythm to blend one song into another. But man, I have such respect for the art of deejaying. I hesitate to even call myself a deejay.
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But Rawkus is integral to what I do, because the cats who started Rawkus are the first ones who really saw my vision, and gave me a platform to get it out there, so I'm definitely totally grateful for that.
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Once you're signed to a label you compromise.
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You know, there's a lot of activism that doesn't deal with empowerment, and you have to empower yourself in order to be relevant to any type of struggle.
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I don't care if Rick Ross is 40 years old -- he's a misguided 40-year-old person.
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