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They ask me what I'm writing for - I'm writing to show you what we're fighting for.
Talib Kweli
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Talib Kweli
Age: 49
Born: 1975
Born: October 3
Musician
Poet
Rapper
Singer
Songwriter
Brooklyn
New York
Talib Kweli Greene
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More quotes by Talib Kweli
But you have to be creative on how you sell yourself and market yourself.
Talib Kweli
But there's so many things in life like women, like children, like God and family that transcends the world of hip-hop.
Talib Kweli
My fans like to be romantic. I feel like I'm creating at least at the same level or even a higher level of creativity than I was at twenty-one. I've gotten better as an artist.
Talib Kweli
If you ain't using all the talents God provided you with For the betterment of Man, understand, You ain't nothing but a waste.
Talib Kweli
What is Norah Jones' style? Is it just the albums that we've heard? She has a rock group where she plays guitar in, downtown in New York, so do we really know her style?
Talib Kweli
Now people won't beat you up if you are gay they might just talk behind your back.
Talib Kweli
It doesn't get any more underground, conscious or indie than Macklemore, Ryan Lewis, but because they got a couple of really big pop hits, actually some of the biggest pop hits that hip-hop has ever seen, people are missing that part of their story. People are not counting that blessing.
Talib Kweli
There are staples to my show. I have to be conscious about switching things up because I know people who saw me last year will say, 'He did that last time.' But if certain things work, they work.
Talib Kweli
There just needs to be a gay rapper who's better than everybody. That's when that question will no longer be able to be asked.
Talib Kweli
God gave us music, so we play with our words.
Talib Kweli
As far as being on a major label, some labels get it and get what they have to do, and some labels don't. I don't think the label I'm on necessarily gets it, but I think over time they're gonna have to.
Talib Kweli
The materialism, the brashness, the misogyny - everything in hip-hop is amplified. Misogyny is a good example of something that is completely amplified in hip-hop. I do think there is more than enough of a balance, though, for fans who are willing to search it out.
Talib Kweli
I look at the deejay thing as something - I'm good at it because I have my own music. I have enough rhythm to blend at this point.
Talib Kweli
I was always rhyming and doing it for the love before I found out I was gonna have children and when I found out, doing it for the love wasn't enough.
Talib Kweli
I like the fact that I can rep New York, but my style does not - I'm not trapped in a New York thing. I can do art songs with other artists and it's seamless.
Talib Kweli
Jazz is the greatest American art form and our greatest export. We don't pay attention to the youth of jazz, don't stoke the fires creatively for the youth coming up. I feel like jazz musicians became too much of purists - with Donald Byrd doing funk jazz in the '70s.
Talib Kweli
I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
Talib Kweli
Even an independent label is looking for a hit, they're not looking for a record that's not gonna do well.
Talib Kweli
When I met you it was magic... We polar opposites, but attracted like we was magnets.
Talib Kweli
I have such respect for the art of deejaying. I hesitate to even call myself a deejay.
Talib Kweli