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When I look at the arc of my career, my focus is on lyricism, right? I own that.
Talib Kweli
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Talib Kweli
Age: 49
Born: 1975
Born: October 3
Musician
Poet
Rapper
Singer
Songwriter
Brooklyn
New York
Talib Kweli Greene
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More quotes by Talib Kweli
Unfortunately hip-hop is so competitive that in order for fringe groups to get in, you gotta be better than whoever's the best. So before Eminem, the idea that there would be a white rapper that anybody would really check for was fantastic or amazing or impossible.
Talib Kweli
Why give you the cure when the disease makes money?
Talib Kweli
I support the idea that artists have to make a stand. I'm with that - you're putting the discussion on the table and you're letting people know. You're being brave as an artist and responsible to the community.
Talib Kweli
Life is a beautiful struggle.
Talib Kweli
I try to count the blessings rather than the problems.
Talib Kweli
I like the fact that I can rep New York, but my style does not - I'm not trapped in a New York thing. I can do art songs with other artists and it's seamless.
Talib Kweli
My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
Talib Kweli
I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
Talib Kweli
Who you? Your name smaller than fine grains in couscous It's the highest calibre, your calibre is deuce deuce
Talib Kweli
Artists make art for themselves. Art is an honest expression. Artists who pander to their fans by trying to make music for their fans make empty, transparent art. The true fan does not want you to make music for them, they want you to make music for you, because that's the whole reason they fell in love with you in the first place.
Talib Kweli
As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
Talib Kweli
With Prisoner of Conscience, the focus was - I've worked with Madlib, High Tech, Kanye West, J Dilla. I feel like I've worked with some of the greatest of all time. That's been overlooked. That's been overshadowed by the weight of the lyrics.
Talib Kweli
Jazz is the greatest American art form and our greatest export. We don't pay attention to the youth of jazz, don't stoke the fires creatively for the youth coming up. I feel like jazz musicians became too much of purists - with Donald Byrd doing funk jazz in the '70s.
Talib Kweli
War is not civilized.
Talib Kweli
There are staples to my show. I have to be conscious about switching things up because I know people who saw me last year will say, 'He did that last time.' But if certain things work, they work.
Talib Kweli
As far as being on a major label, some labels get it and get what they have to do, and some labels don't. I don't think the label I'm on necessarily gets it, but I think over time they're gonna have to.
Talib Kweli
To be honest, that whole exchange with Crunk Feminist actually made me write the song because I realize there's a lot of young women out there so hurt by the misogynistic images in hip-hop they paint it with such a broad brush stroke that they think anybody that defends hip-hop is defending misogyny.
Talib Kweli
Young kids should be doing music that has shock value. They'll grow out of it.
Talib Kweli
I met Mos Def around that time but I didn't hook up with him until I was about 17 or 18.
Talib Kweli
The beautiful thing about hip-hop is it's like an audio collage. You can take any form of music and do it in a hip-hop way and it'll be a hip-hop song. That's the only music you can do that with.
Talib Kweli