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For me, trying to expand the energy to make one movie in Hollywood would be the equivalent in terms of energy to making 10 movies in Japan.

Takashi Miike

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Takashi Miike
Age: 64
Born: 1960
Born: August 24
Actor
Film Actor
Film Director
Film Producer
Filmmaker
Screenwriter
Making
Equivalent
Energy
Expand
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Japan
Make
Hollywood
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More quotes by Takashi Miike

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I think the reason why I have so many movies to my credit is that I never say no to any project, I never veto anything. I sort of challenge myself to do stuff, even if it's something that I've never done before.
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You can't really make something or make a movie and feel all through the process that it's a painful thing. It's not possible to do that.
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If you're trying to be realistic and bring real life to the screen, you are going to have different elements. That's what I'm trying to do. As I make the movie, different elements come in naturally.
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As a filmmaker, you've got to have a nose for what's going on culturally. You have to feel it. It doesn't have to be manga or music, but you need some kind of antenna. That's very important.
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I don't know if I would call it therapy, but filmmaking is really the only thing I know how to do. For me, making movies is a way to bring on change for myself, and I really enjoy that part.
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I believe that every director's films reflect their lifestyle.
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I believe that when people try to live their life at the fullest, there's a certain laughter that comes out of it. The more they try to live their life seriously, the funnier it is. It happens all the time in our real life.
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In Japan, violence isn't as controversial as it is in the West. Pornography is more restricted, but it's not hard to make a crazy, extremely violent film.
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It's not really important to make skillful movies. I think expressing yourself really well, skill-wise, is not as important. I want it to be sort of raw and rough but new and fun to watch.
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Filmmaking is not a balancing act, although some directors think it is. I don't believe in it. I like ups and downs. They're the best way to translate my feelings to the screen.
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Bigger-budgeted films have more restrictions and less freedom to create. Because of this, I try to find freedom in the people I work with. I often work in ways I don't want to. It's more about controlling the situation. Lower-budget films are freer.
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I go to the dentist, not a shrink.
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I don't mind ratings boards. As a viewer, you have the right not to see a film.
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In terms of making TV drama, not everything has to make sense. In cinema, you usually strive for reality and a natural environment, but in TV, it's more acceptable to do something crazy and break with naturalism.
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