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I take the museum space also as sacred in a sense.

Tadao Ando

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Tadao Ando
Age: 83
Born: 1941
Born: September 13
Architect
Boxer
Master Builder
University Teacher
Tadao Andō
Andō Tadao
Museums
Sacred
Space
Sense
Also
Take
Museum

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If there is only one culture all over the world, that's not a good thing.
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I want to create a space that moves people. It doesn't matter if it is a house, or a museum, or whatever. So, it is somebody sitting on that lawn, just going around and around and feeling really happy. That is something that I'm striving for.
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In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
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Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
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In Italy, there are so many significant architectural structures in history such as the Pantheon in Rome, or the Duomo.
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As long as you have an objective in your mind you are young.
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I hope that America as a whole, and especially its architects, will become more seriously involved in producing a new architectural culture that would bring the nation to the apex - where it has stood before - and lead the world.
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I would like my architecture to inspire people to use their own resources, to move into the future.
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I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
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Since I am a Japanese man who's been building through the experience of Japanese architecture, my actual designs come from Japanese architectural concepts, although they're based on Western methods and materials.
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We borrow from nature the space upon which we build.
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The computer offers another kind of creativity. You cannot ignore the creativity that computer technology can bring. But you need to be able to move between those two different worlds.
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The speed of change makes you wonder what will become of architecture.
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My hand is the extension of the thinking process - the creative process.
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But now, more and more, its society is concerned with economy and finance.
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I don't believe architecture has to speak too much. It should remain silent and let nature in the guise of sunlight and wind
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At the same time, I would add that the American people have a lot of courage.
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I believe that the way people live can be directed a little by architecture.
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You always want to try to make something new, and, of course, America is the world leader in economics today.
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You can't really say what is beautiful about a place, but the image of the place will remain vividly with you.
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