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All architecture has a public nature, I believe, so I would like to make a public space.

Tadao Ando

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Tadao Ando
Age: 83
Born: 1941
Born: September 13
Architect
Boxer
Master Builder
University Teacher
Tadao Andō
Andō Tadao
Would
Like
Architecture
Public
Space
Nature
Believe
Make

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The computer offers another kind of creativity. You cannot ignore the creativity that computer technology can bring. But you need to be able to move between those two different worlds.
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If there is only one culture all over the world, that's not a good thing.
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But now, more and more, its society is concerned with economy and finance.
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If you give people nothingness, they can ponder what can be achieved from that nothingness.
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I want to create a space that moves people. It doesn't matter if it is a house, or a museum, or whatever. So, it is somebody sitting on that lawn, just going around and around and feeling really happy. That is something that I'm striving for.
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Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
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There are self-made millionaires - their aspiration is first to make money. But the once that goal is achieved, they have to look for something and sometimes they become patrons of art or museums. And that is how the world should go.
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You can't really say what is beautiful about a place, but the image of the place will remain vividly with you.
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I believe that the way people live can be directed a little by architecture.
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I don't look so closely at women's fashion, but from the 20th century on, people have had the freedom to express themselves and their individualities, and fashion is one of the most fundamental ways in which they do this, men and women are equally able to express themselves.
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I take the museum space also as sacred in a sense.
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All those involved in the construction of an architectural design, from the architect to the builder, have an attachment to the architecture, although it's difficult to quantify the attachment.
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Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.
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At the same time, I would add that the American people have a lot of courage.
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In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
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You always want to try to make something new, and, of course, America is the world leader in economics today.
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I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
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My objective is to design a space that nobody else can come up with while using the material that anyone can use.
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As long as you have an objective in your mind you are young.
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In Italy, there are so many significant architectural structures in history such as the Pantheon in Rome, or the Duomo.
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