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Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.
Tadao Ando
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Tadao Ando
Age: 83
Born: 1941
Born: September 13
Architect
Boxer
Master Builder
University Teacher
Tadao Andō
Andō Tadao
Based
Japanese
Outside
Connection
Conditions
Architecture
Inside
Degree
High
Traditional
Reason
Connections
Degrees
Created
More quotes by Tadao Ando
As long as you have an objective in your mind you are young.
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In Italy, there are so many significant architectural structures in history such as the Pantheon in Rome, or the Duomo.
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But now, more and more, its society is concerned with economy and finance.
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Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
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The computer offers another kind of creativity. You cannot ignore the creativity that computer technology can bring. But you need to be able to move between those two different worlds.
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People tend not to use this word beauty because it's not intellectual - but there has to be an overlap between beauty and intellect.
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I hope that America as a whole, and especially its architects, will become more seriously involved in producing a new architectural culture that would bring the nation to the apex - where it has stood before - and lead the world.
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There are self-made millionaires - their aspiration is first to make money. But the once that goal is achieved, they have to look for something and sometimes they become patrons of art or museums. And that is how the world should go.
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If you give people nothingness, they can ponder what can be achieved from that nothingness.
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My hand is the extension of the thinking process - the creative process.
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All those involved in the construction of an architectural design, from the architect to the builder, have an attachment to the architecture, although it's difficult to quantify the attachment.
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Spiritual space is lost in gaining convenience. I saw the need to create a mixture of Japanese spiritual culture and modern western architecture.
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Italy is full of historical buildings. And Europe holds a great history of philosophy from Greece until today. I read all those books and see these buildings, and I think of where I stand when I design my architecture.
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The speed of change makes you wonder what will become of architecture.
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I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
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I think of the past and the future as well as the present to determine where I am, and I move on while thinking of these things.
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Working in Tokyo has convinced me that, contrary to what people think, it is actually one of the world's most beautiful cities.
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I would like my architecture to inspire people to use their own resources, to move into the future.
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You can't really say what is beautiful about a place, but the image of the place will remain vividly with you.
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At the same time, I would add that the American people have a lot of courage.
Tadao Ando