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I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
Tadao Ando
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Tadao Ando
Age: 83
Born: 1941
Born: September 13
Architect
Boxer
Master Builder
University Teacher
Tadao Andō
Andō Tadao
Thinking
Architecture
Becomes
Possible
Interesting
Simple
Character
Double
Time
Complexes
Think
Complex
More quotes by Tadao Ando
My objective is to design a space that nobody else can come up with while using the material that anyone can use.
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As long as you have an objective in your mind you are young.
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You always want to try to make something new, and, of course, America is the world leader in economics today.
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In Italy, there are so many significant architectural structures in history such as the Pantheon in Rome, or the Duomo.
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If there is only one culture all over the world, that's not a good thing.
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I think that capitalism has just gone too far. And it is actually not limited to the United States. The excesses of capitalism is making us suffer all over the world right now.
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In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
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Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
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If you give people nothingness, they can ponder what can be achieved from that nothingness.
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All architecture has a public nature, I believe, so I would like to make a public space.
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Working in Tokyo has convinced me that, contrary to what people think, it is actually one of the world's most beautiful cities.
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I want to create a space that moves people. It doesn't matter if it is a house, or a museum, or whatever. So, it is somebody sitting on that lawn, just going around and around and feeling really happy. That is something that I'm striving for.
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All those involved in the construction of an architectural design, from the architect to the builder, have an attachment to the architecture, although it's difficult to quantify the attachment.
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Since I am a Japanese man who's been building through the experience of Japanese architecture, my actual designs come from Japanese architectural concepts, although they're based on Western methods and materials.
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I would like my architecture to inspire people to use their own resources, to move into the future.
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There are self-made millionaires - their aspiration is first to make money. But the once that goal is achieved, they have to look for something and sometimes they become patrons of art or museums. And that is how the world should go.
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Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.
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Spiritual space is lost in gaining convenience. I saw the need to create a mixture of Japanese spiritual culture and modern western architecture.
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People tend not to use this word beauty because it's not intellectual - but there has to be an overlap between beauty and intellect.
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Italy is full of historical buildings. And Europe holds a great history of philosophy from Greece until today. I read all those books and see these buildings, and I think of where I stand when I design my architecture.
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